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  1. The Pillow Book represents the culmination of all of Greenaway's work in film, particularly in the field of digital fusion that he explored to great effect in the earlier Prospero's Books. This, however, is the far more accessible film, and is also Greenaway's most 'mainstream' effort since The Cook, The Thief...

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  2. The Pillow Book of Sei Shonagon, written in the 10 th century, is the text that inspires Peter Greenaway to film The Pillow Book. Nevertheless, the text of the book appears differently through the lens of the camera. Nagiko, the principal character of the film, is a passionate reader of The Pillow Book of Sei Shonagon who discovers that writing ...

  3. 13 de sept. de 2017 · En la perturbadora película The Pillow book (1996), una alegoría de la escritura y su nexo con la relación carnal, una representación de la imposible disociación de lo que el hombre es y lo que hace, narrada, protagonizada por Nagiko Kiyohara, el cineasta desvela la 'prostitución' del escritor por sus editores y el proceso iniciático de una joven que pasa de ser el soporte de la ...

  4. The Pillow Book, written about 1002, is a collection of impressions of court life by the court lady Sei Shônagon. A contemporary of Murasaki Shikibu, who wrote The Tale of Genji, Sei Shônagon reflects the same concern with style and taste typical of the period. Unlike the wistful and sometimes tragic mood of The Tale of Genji , however, the ...

  5. A slim book rests lightly in one’s hand. The apricot curving lips of the dust jacket woman. Tile-red rectangle with white lettering. Red-tile endpapers’ pattern of faint white dots. Soft leaves of text. A few shiny pages with golden clouds, dark green tatami, and pines. Things that are Fitting. A 2011 edition of The Pillow Book pleasant to ...

  6. 6 de jun. de 1997 · The Pillow Book: Directed by Peter Greenaway. With Vivian Wu, Yoshi Oida, Ken Ogata, Hideko Yoshida. A woman with a body-writing fetish seeks to find a combined lover and calligrapher.

  7. Greenaway in Guanajuato. As a child in Kyoto in the 1970s, Nagiko’s calligrapher father used her body to write a birthday message in paint. Now grown up and living in Hong Kong, she seeks a lover who will use her body as a blank canvas. English translator Jerome reverses roles and becomes the subject of her penmanship.

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