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  1. Sezession. Max Beckmann (born February 12, 1884, Leipzig, Germany—died December 27, 1950, New York, New York, U.S.) was a German Expressionist painter and printmaker whose works are notable for the boldness and power of their symbolic commentary on the tragic events of the 20th century. Beckmann was trained from 1900 to 1903 at the ...

  2. The Saint Louis Art Museum has the world’s largest collection of paintings and prints by the German artist Max Beckmann. This guide will introduce you to Beckmann—to his captivating art and his eventful life—and explain how this collection of more than 400 artworks came to St. Louis.

  3. Max Beckmann ( Leipzig, 12 de febrero de 1884 - Nueva York, 27 de diciembre de 1950) fue un pintor alemán . Beckmann nació en Leipzig en el seno de una familia de granjeros, que abandonaron la granja para establecerse en Leipzig después de su nacimiento. Comenzó a dibujar a una edad temprana y en 1900 ingresó en la Academia de Artes de Weimar.

  4. Max Carl Friedrich Beckmann was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity, an outgrowth of Expressionism that opposed its introverted emotionalism.

  5. 10 de nov. de 2023 · Max Beckmann “Self-Portrait With White Cap, 1926,” at the Neue Galerie in New York. His sober and analytical gaze was an artistic project born from disastrous war and political disenchantment.

  6. Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity ( Neue Sachlichkeit ), an outgrowth of Expressionism ...

  7. www.artnet.com › artists › max-beckmannMax Beckmann | Artnet

    Max Beckmann. Max Beckmann was a German painter widely regarded as one of the major figures of the Expressionist and New Objectivity movements. In many of his paintings Beckmann melded reality with fantasy, producing a world in which strange women and immoral businessmen mingle with nightmarish creatures, as seen his work Bird’s Hell (1938).