Resultado de búsqueda
Judit decapitando a Holofernes. Se cree que la violación sufrida por la propia Artemisia ha influido de manera sustancial en su pintura, mostrando así a mujeres fuertes y empoderadas. Otro tipo de obras tratarán de denunciar la violencia y el acoso sufrido por las mujeres, como observamos en Susana y los viejos (1610); la protagonista ...
14 de dic. de 2021 · Judith Beheading Holofernes by Artemisia Gentileschi c. 1620 Location Le Gallerie Degli Uffizi . In Artemisia Gentileschi’s “Judith Beheading Holofernes”, as is observed in the painting by Caravaggio, we see the moment of decapitation and again the action is taking place very much in the foreground of the painting.
Artemisia Gentileschi, Judith and Her Maidservant with the Head of Holofernes, c. 1623–25, oil on canvas, 187.2 x 142 cm (Detroit Institute of Arts) A conversation with Dr. Steven Zucker and Dr. Beth Harris.
- 5 min
- Smarthistory
20 de may. de 2022 · Artemisia Gentileschi's Judith Slaying Holofernes stands out because it explicitly shows the act of a woman forcefully decapitating a man. One could argue that any depiction of this tale carries an inherent violence, since the story itself is a violent one. However, many believe Gentileschi’s deliberate inclusion of female brutality sends a ...
6 de dic. de 2023 · Artemisia Gentileschi, Judith and Holofernes. by Dr. Steven Zucker and Dr. Beth Harris. Artemisia Gentileschi, Judith Slaying Holofernes, 1620-21, oil on canvas, 162.5 x 199 cm (Gelleria degli Uffizi, Florence)
Artemisia Gentileschi 1620 - 1621. This large painting signed by the artist was in Palazzo Pitti in 1638 and was tranferred to the Uffizi in 1774. In 1635 the Artist thanked Galileo Galilei for having helped her obtain payment, most likely for this painting for Cosimo III who was an empassioned collector of caravaggesque paintings. Artemisia ...
Judith slaying Holofernes by Artemisia Gentileschi, 1614–18. The account of the beheading of Holofernes by Judith is given in the deuterocanonical Book of Judith, and is the subject of many paintings and sculptures from the Renaissance and Baroque periods. In the story, Judith, a beautiful widow, is able to enter the tent of Holofernes ...
