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  1. Body and Soul was composed by Johnny Green in 1930. The original key is Db and the song follows a 32-bar AABA form. This is a jazz harmonic analysis of the changes in Body and Soul, along with an explanation of the concepts used in the analysis. The image above shows my full analysis, which I will walk through below.

  2. www.jazzguitarcomprehensive.com › rep › body-and-soulBody and Soul | JGC Repertoire

    This song has been recorded over 1,100 times and is a torch song that is a cornerstone of the repertoire. The first recording was done by Jack Hylton and his Orchestra in 1930. Early recordings by Louis Armstrong and Coleman Hawkins stand out as highly influential early renditions of the composition. Edward Heyman and Robert Sour continued to ...

  3. 31 de ene. de 2019 · [ad#co-1] Body And Soul はジャズのスタンダードとして有名です。 1930年にJohnny Greenによって作曲されています。 歌詞については色々ややこしいので省略です。(今回はボーカル・バージョンは聴きません。) そして1番目に挙げるコールマン・ホーキンス(テナーサックス)の演奏が定番として有名 ...

  4. It was arranged by Jorge Calandrelli. Body and Soul. Listen to Body and Soul on Spotify. Tony Bennett, Amy Winehouse · Song · 2011. This recording released on: 2011: RPM Sony 88697662532: Duets II. 2011: RPM Sony 88697961501: Duets II (LP) 2011: Disc #71 in The Tony Bennett Complete Collection (88697874602-JK69) Duets II.

  5. 27 de jul. de 2011 · "Body and Soul" is a popular jazz song featured on Billie Holidays album with the same title. "Body and Soul" was written in New York City for the British ac...

    • 6 min
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    • RoundMidnightTV
  6. 2 de oct. de 2020 · This is one of the most commonly played jazz ballads of all time. It was first recorded by Jack Hilton and his Orchestra and later it was used as the theme for the 1947 film “Body and Soul”. Perhaps one of the most popular versions of this tune is Coleman Hawkins’ famous 1939 recording, considered to foreshadow the coming of the bebop style.

  7. 1 de nov. de 2016 · Coleman Hawkins (1904-1969), was one of the giants of jazz. His pioneering use of the tenor saxophone brought the instrument into common use in dance and jazz bands throughout the 1920s and into the 1930s. (The only other distinctive performer on tenor saxophone then was Bud Freeman.) Beyond that, Hawkins’s virtuoso playing of that instrument ...