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Andrea del Verrocchio (Italian pronunciation: [anˈdrɛːa del verˈrɔkkjo]; c. 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence. He became known by his nickname Verrocchio, from vero occhio, which in Italian means "true eye", a ...
Andrea di Michele di Cione poznan kot Andrea del Verrocchio, italijanski slikar, kipar, zlatar in keramik, * verjetno 1435., Firence (Florentinska republika, danes Italija), † 1488. Benetke (Beneška republika, danes Italija). Življenje. Andrea je bil sin Michela di Cione, proizvajavca keramičnih ploščic in pozneje carinika.
Tobías y el ángel (en italiano, Tobiolo e l'angelo) es una pintura de tema religioso, terminada entre los años 1470 y 1480 por el pintor renacentista italiano Andrea del Verrocchio. Hoy se encuentra en la Galería Nacional de Londres que la adquirió en 1867. 1 . La escena de la pintura está inspirada en el Libro de Tobías, del Antiguo ...
Andrea del Verrocchio, tikr. Andrea di Cione, 1435 – 1488 m.) – italų XV a. ankstyvojo renesanso dailininkas, skulptorius ir juvelyras iš Florencijos. Verokjas pagarsėjęs kaip Leonardo da Vinčio mokytojas. Svarbiausiu jo darbu laikomas paminklas kondotjerui Bartolomėjui Koleoniui Venecijoje .
New York, Metropolitan Museum of Art. Andrea del Verrocchio (c. 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian sculptor, goldsmith and painter. He had an important workshop in Florence. Many other Renaissance painters were Verrocchio's apprentices or worked in his workshop. These included Botticelli, Ghirlandaio ...
Andrea del Verrocchio, opphavleg Andrea di Michele di Francesco de' Cioni, (1435–10. oktober 1488) var ein italiensk skulptør, gullsmed og kunstmålar. Ein reknar med at han påverka Leonardo da Vinci , Lorenzo di Credi og Perugino , som alle var nokre av elevane hans.
Dimensions. 83.6 cm × 66 cm (32.9 in × 26 in) Location. National Gallery, London. Tobias and the Angel is a painting in egg tempera on poplar panel, finished around 1470–1475, measuring 83.6 × 66 cm. [1] It is attributed to the workshop of the Italian Renaissance painter Andrea del Verrocchio. [2] It is now in the National Gallery, London.
