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9 de nov. de 2018 · In the 1960s, Roy Lichtenstein also created cartoon-style works with Ben-Day dots that reinterpreted classic paintings by art masters, including Cezanne, Mondrian, and Picasso. In the latter part of the decade, he created series of paintings that depicted comic-style versions of brushstrokes.
Roy Lichtenstein fue uno de los máximos exponentes del arte pop americano. En sus obras representó temas de la sociedad de consumo, de la vida cotidiana y de la cultura de masas, que sacaba de la publicidad, los cómics y las revistas populares. A través de estas composiciones, en apariencia sencillas, pintadas casi exclusivamente con ...
Roy Fox Lichtenstein (* 27. Oktober 1923 in Manhattan, New York City; † 29. September 1997 ebenda) war ein US-amerikanischer Lehrer und Maler der Pop Art. Neben Andy Warhol war er der wohl bekannteste Vertreter dieser Kunstrichtung. Der Durchbruch gelang ihm 1961 mit dem Bild Look Mickey (dt. Schau mal Micky ), sein Stil wurde der ...
Roy Lichtenstein is one of the key figures of the Pop Art movement in America along with Andy Warhol, Jasper Johns, and James Rosenquist. Lichtenstein was born in 1923 in New York to an upper-middle-class Jewish family. He showed an affinity for art from a young age, and later went to Ohio University where he was able to take art classes.
Roy Lichtenstein (født 27. oktober 1923, død 29. september 1997) var en amerikansk maler og grafiker, hvis tidlige og mest berømte kunst tilhørte Pop art-genren. Hans billeder viste ofte forstørrede tegneserie udklip.
Synopsis. Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself.
Roy Fox Lichtenstein (Nova Iorque, 27 de outubro de 1923 — Nova Iorque, 29 de setembro de 1997) foi um pintor estado-unidense identificado com a Pop Art . Na sua obra, procurou valorizar os cliches das histórias em quadrinhos como forma de arte, colocando-se dentro de um movimento que tentou criticar a cultura de massa.
