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Evelyn De Morgan’s paintings and some of William De Morgan’s ceramics can now be seen on the Google Arts & Culture Platform. In an exciting move towards a digital future, with better access to its collection for everyone, the De Morgan Foundation partnered with Google Arts & Culture in 2019 to have the Google Art Camera capture high resolution gigapixel images of the oil paintings in the ...
14 de may. de 2020 · When Evelyn De Morgan (1855–1919) drew a floating head, dismembered arm and legless torso in the early years of the 20th century, the intent was not to create ghostly or other-worldly images. In fact, it is unlikely that she expected anyone to see these drawings at all.
22 de mar. de 2023 · Evelyn De Morgan’s gold drawings sparkle with a rare luminosity. Integral to her artistic practice, she made these drawings in materials of her own invention. She bought dry ‘cakes’ of gold pigment and ground these to make paint and pastels that she could use to create warmth, life and light. These curious artworks are unlike works by any ...
The Hourglass. Evelyn De Morgan s sister Mrs Stirling wrote the following description in 1924: In an ancient chair, inlaid with ivory, a woman is seen seated. Behind her on the wall are glowing tapestries; a gold lamp of medieval design is suspended above her head. Her draperies, in wonderful hues of yellow and russet bronze, are thickly sewn ...
Evelyn De Morgan was one of the first artist’s to have her art exhibited to the public here in 1902, followed by another solo show in 1919 upon her death. Bringing the gold drawings to Leighton House for this exhibition celebrates the historic connections between these Victorian artists.
Evelyn de Morgan, cuyo nombre era Mary Evelyn Pickering, nació en Londres el 30 de agosto de 1855 en el seno de una familia burguesa que educó en el hogar a sus hijos ofreciendo los mismos conocimientos a los vástagos de ambos sexos. Evelyn aprendió latín, griego, francés, alemán, ciencia, historia y literatura, abarcando tanto la ...
Evelyn depicts the Angel of Death, who is symbolised by his grey hair and scythe, as a beautiful and benign figure, gently comforting the frail female figure he has in his sight. The young woman appears to have had a hard life - signified by the arid landscape behind her. In contrast the way forward is illustrated with a fertile landscape and ...
