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Esta tabla, dada a conocer por Berenson, que la atribuyó a Taddeo Gaddi, comparte con la del Museo Thyssen-Bornemisza, además del estilo, la decoración con la que se ha trabajado el oro de los halos. En ese altar de pequeño formato, hecho para uso privado, nuestra Natividad ocuparía el ala izquierda, mientras que La Presentación en el ...
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This Crucifixion by Bernardo Daddi was in a private Florentine collection and was acquired for the Thyssen-Bornemisza collection in 1972. Its provenance can be traced back to the 18 th century when it would seem to have belonged to the Italian painter and collector Lamberto Cristiano Gori. It was the subject of an interesting text by Federico ...
active 1312/20; died 1348. Bernardo Daddi was one of the most important Florentine painters of the first half of the 14th century. He began his career as an apprentice in Giotto's workshop in Florence. While never losing sight of the grandeur and vision of his master, Daddi tempered Giotto's style with a refined softness and grace.
Bernardo Daddi ca. 1325–30. The Metropolitan Museum of Art New York City, United States. Download this artwork (provided by The Metropolitan Museum of Art).
Bernardo Daddi was with Taddeo Gaddi one of the two outstanding Florentine painters of the generation that succeeded Giotto's. Giotto himself was the formative influence of his early style, but Daddi reacted to other artists, including the Saint Cecilia Master, and had a distinct personality of his own, a sense of rhythm, beautifully expressed in this panel by the upturned faces of the two ...
This magnificent miniature altarpiece is one of the finest and most important Trecento pictures to come to auction in the last decade. The central panel, framed along its upper edge with an ogival molding, features all the ravishing colors, painstaking attention to pattern and detail, and tender intimacy which characterize the highest achievements in Bernardo Daddi’s oeuvre.
