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17 de jun. de 2016 · This week we’re learning about Moll Davis. Moll Davis. Mary “Moll” Davis: 1648 (England) – 1708 (England) Famous diarist, Samuel Pepys said of Moll that she was “a bastard of Collonell Howard, my Lord Barkeshire.”. In the 1660’s Moll was an actress in the Duke’s Theatre Company as was called “the most impertinent slut in the ...
1 de abr. de 2017 · Iron, vitamin B 12 and folate are required for essential metabolic functions. Deficiency states of these nutrients, either singly or in combination, are common clinical conditions. Clinically, they present with not only disordered haematopoiesis, but also widespread effects in other organs that can precede the appearance of haematological ...
Mary 'Moll' Davis byla populární tanečnice, zpěvačka a herečka. Roku 1667, po divadelním představení, se seznámila s Karlem II. Z jejich vztahu se narodila dcera, Lady Mary Tudor (1673–1726). Její rivalkou v králově přízni byla Nell Gwyn (1650–1687), která nakonec docílila toho, že Karel vztah s Moll ukončil. [zdroj?
Moll Davis’ portrait, like many of the other seventeenth-century portraits at Weston Park, was acquired by Francis Newport, 1st Earl of Bradford of the first creation. It represents a woman who was notable in society at that time – famous as an immensely talented musician and also infamous for her relationship with King Charles II.
Moll Davis (1648-1708) "Mary "Moll" Davis (also Davies or Davys; ca. 1648 – 1708) was a seventeenth-century entertainer and courtesan, singer, and actress who became one of the many mistresses of King Charles II of England."
Charles was already enamoured with Moll Davis, a fellow actress but, on Nell’s return to London at the end of 1667, Buckingham saw an opportunity to dangle another mistress under the king’s nose. Negotiations began: Nell suggested that she would need £500 per year to be kept as the king’s mistress, but this was rejected as too expensive - and so, as quickly as they began, the ...
Moll Davis apparently began her stage career in 1660. John Downes, prompter at Lincoln’s Inn Fields from the 1660s and author of Roscius Anglicanus, or an Historical Review of the Stage published in 1708, named her as one of Sir William Davenant’s four ‘Principal Actresses’ whom ‘he boarded at his own House’ when he formed his company.
