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Rózsa Miklós (Budapest, 1907. április 18. – Los Angeles, Kalifornia, 1995. július 27.) háromszoros Oscar-díjas zeneszerző. A közel száz filmzenéjéről ismert, de a klasszikus zene iránt mindvégig elkötelezett szerző a Filmművészeti és Filmtudományi Akadémia díját Hitchcock Elbűvölve (), George Cukor Kettős élet (), valamint Sam Zimbalist Ben-Hur című filmjeinek ...
RÓZSA, MIKLÓS. Nació en Budapest (Hungría), el 18 de abril de 1907. Murió en Los Ángeles (EE UU), el 27 de julio de 1995. Existen una serie de nombres que confieren un aura especial a la profesión de compositor de bandas sonoras, una distinción que elevan la mera composición musical para largometrajes a algo legendario y digno de ...
15 de dic. de 2014 · Drawing by Andrea Veronika Benkő, 2001. When Miklós Rózsa borrowed the title of one of his Oscar-winning film scores for his autobiography Double Life, he was referring above all to the two-sided creative existence that spanned the majority of his eighty-eight years – as a remarkably successful creator of music for the movies and as a ...
29 de may. de 2018 · Rózsa, Miklós. Rózsa, Miklós , brilliant Hungarian-American composer; b. Budapest, April 18, 1907; d. Los Angeles, July 27, 1995. He studied violin in childhood with Lajos Berkovits. After training at the Leipzig Cons. with Straube and Grabner, he went to Paris in 1931 and established himself as a composer.
1 de jun. de 2022 · I thought maybe sitting in the presence of their ghosts would help me write about the film’s score by Miklós Rózsa—a dance of death and fatalism that helped codify an entire genre. Rózsa was the musical counterpart to Billy Wilder, Raymond Chandler, and James M. Cain, the film’s writers, and Double Indemnity the ur–noir score.
Composer Miklós Rózsa. Miklós Rózsa is the composer most closely identified with noir. He was a Hungarian-born composer trained in Germany, and active in France, war-time Britain, and later in the United States, with extensive sojourns in Italy, during a career spanning more than 60 years (1931-1995). His music was at times Wagnerian ...
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