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Two Ecstatic Themes est la clé de voûte du travail de Doris Humphrey. La première partie est composée de mouvements cycliques, en spirale, doux et coulants, pour transmettre un sentiment d'acquiescement. La deuxième partie, contrairement à la première, se compose de mouvements pointés, stridents, suggérant une certaine agressivité.
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Stephanie Clemens, founder of the Academy of Movement & Music in Oak Park, has an encyclopedic mind when it comes to Doris Humphrey. One of the mothers of mo...
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- Oak Park
Doris Humphrey is a capital figure in the History of Modern dance. Her ideas of balance and inbalance, movement and fall, animated her choreography. While Martha Graham was exploring her interial landscapes, the Humphrey Weidman Company was experimenting with man’s relation to the world about him.
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Kathie Debenham, C.L.M.A. Assistant Professor in Dance Utah Valley State College Pat Debenham, C.L.M.A. Professor in Dance Brigham Young University From the Ground Up: Doris Humphrey-- Modernist, Americanist, Artist Introduction In 1937 in an essay entitled “What a Dancer Thinks About” Doris Humphrey reflected on her fundamental belief that kinesthetic sensation is a rudimentary human ...
Doris Batcheller Humphrey nació el 17 de octubre de 1895 en Oaks Park, Chicago, Illinois, inicialmente estudio Ballet y Gimnasia en Chicago. En 1917 viajó a Los Ángeles a estudiar con los innovadores coreógrafos estadounidenses Ruth Saint Denis y Ted Shawn. Al convertirse en un miembro importante de la compañía Denishawn, en el cual ...
Doris Humphrey She was a member of the Denishawn troupe from 1917 to 1928, when she left to cofound, with Charles Weidman, a school and performing dance group, which was active until 1944. In her choreography she employed an innovative use of conflict between balance and imbalance, fall and recovery; her works included Water Study (1928), The Shakers (1931), and New Dance (1935).
