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  1. Michelangelo Antonioni’s films are characterised by a sense of alienation, a lack of closure and a sense of personal loss. In his first three films, “Le notti del conte” (1955), “I vitelloni” (1961) and “Il deserto rosso” (1964), there is an exploration of the unconscious and its relation to the world around us.

  2. Sito italiano dedicato a Michelangelo Antonioni, biografia, film, cortometraggi, documentari, approfondimenti, critica, premi e tutto quanto possa esaltare l'arte del grandissimo regista.

  3. www.archivioantonioni.it › enArchivio Antonioni

    Browse the Archive. The Michelangelo Antonioni Archive contains materials relating to the intellectual, aesthetic and emotional world of the director and make it possible to explore his cinema and, more generally, all his broader professional activities, including his critical, literary and artistic work.

  4. 27 de sept. de 2012 · This is the centenary year of Michelangelo Antonioni. He was born on 29 September 1912 and died in 2007 at the age of 94, having worked until almost the very end. As well as everything else, he ...

    • 4 min
    • Peter Bradshaw
  5. 30 de jul. de 2007 · Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007) was an Italian modernist film director, screenwriter, editor, and short story writer. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative ...

  6. ANTONIONI, Michelangelo in "Dizionario Biografico" - Treccani - Treccani. ANTONIONI, Michelangelo. Sandro Bernardi. Carlo di Carlo. Nacque il 29 settembre 1912 a Ferrara da Ismaele ed Elisabetta Roncaglia, appartenenti a una famiglia della media borghesia. Due anni prima era nato il fratello Carlo Alberto.

  7. Michaelangelo Antonioni rođen je u Ferrari, Emilia-Romagna. Nakon diplome iz ekonomije na Sveučilištu u Bologni, 1935. je počeo pisati kao filmski novinar za lokalne novine u Ferrari, Il Corriere Padano . 1940. se preselio u Rim, gdje je radio za Cinema, službeni fašistički filmski časopis kojeg je uređivao Vittorio Mussolini.

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