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Eric Oswald Stroheim, dit Erich von Stroheim [ˈeːʁ ɪ ç fɔn ˈʃtʁoːha ɪ̯ m] 2, est un acteur, scénariste, réalisateur et écrivain américain d'origine austro-hongroise, né le 22 septembre 1885 à Vienne ( Autriche) et mort le 12 mai 1957 à Maurepas ( France ). Il fut un des réalisateurs les plus ambitieux de l'époque du cinéma ...
15 de jun. de 2024 · Rudol von Stroheim is a cruel and callous Nazi Major of the Waffen-SS. His introduction paints him as a comically sadistic man. He orders a woman to lick his wound clean only for him to threaten to cut her tongue shortly after with the shaving razor, [5] executes Mexican civilians for a blood extraction experiment, [6] and uses a serum to forcibly extract information from Speedwagon . [7]
Erich von Stroheim (as "Von Furst") stretching to act like a crazy director, likewise Mary Astor as actress "Follette," Richard Dix (as "Gibby") and Robert Armstrong (as tipsy "Woody") as flying aces in Hollywood, early in The Lost Squadron, 1932.
Erich von Stroheim, eig. Erich Oswald Stroheim , ( Wenen , 22 september 1885 - Maurepas , 12 mei 1957 ) was een Amerikaans filmregisseur , acteur en scenarioschrijver van Oostenrijkse afkomst. In Hollywood had hij de bijnaam " The Man You Love to Hate " vanwege de vele slechteriken die hij in films speelde.
Erich von Stroheim (1946) Imię i nazwisko Erich Oswald Stroheim Data i miejsce urodzenia 22 września 1885 Wiedeń. Data i miejsce śmierci 12 maja 1957 Maurepas. Zawód aktor, reżyser, scenarzysta, producent filmowy. Lata aktywności 1914–1955
17 de may. de 2018 · Von Stroheim enjoyed telling elaborate tales about his youth in Vienna as Erich Oswald Hans Carl Maria von Stroheim, the son of a noble Austrian family; however, the truth was far different. He was born Erich Oswald Stroheim, on September 22, 1885, in Vienna, Austria.
Erich Von Stroheim ci lascia uno sguardo critico e impietoso sulla società dell’epoca, partendo da film sentimentali e satirici. Nato a Vienna Erich von stroheim arriva a Hollywood nel 1909 e diventa assistente di David Griffith da cui impara moltissimo: la precisione nella caratterizzazione dei personaggi, il gusto per i dettagli e i piani ravvicinati e il ritmo del montaggio.
