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Henry Ireton and the English Revolution. David Farr. Boydell, 2006 - History - 277 pages. A devout puritan, Henry Ireton was an immediate parliamentarian activist rising to the rank of Commissary-General of the New Model Army. Ireton shared Oliver Cromwell's religious enthusiasm and acted as one of his political mentors.
The Remonstrance, drafted principally by Ireton in November 1648, marked the political conclusion of articulating Charles' guilt and equating him with those royalists who had already been executed. It is likely that Ireton believed Charles should die. Enacting this was, however, rather different.
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content. Type. Chapter. Information. Henry Ireton and the English Revolution , pp. v. Publisher: Boydell & Brewer. Print publication year: 2006.
Howard Shaw introduces Henry Ireton, Cromwell's son-in-law, a regicide, and a man with principles and temper of a Cassius, who “stuck at nothing.”. On Saturday, January 30th, 1661, the twelfth anniversary of the execution of Charles I, the disinterred bodies of Oliver Cromwell, Henry Ireton, and John Bradshaw were drawn on hurdles from ...
12 de sept. de 2012 · Putney needs to be set in the context of previous army proceedings and the continuing desire of the soldiers to maintain unity. Woolrych warned us to ‘be very cautious about treating the Putney debates, wonderful as they are, as the typical voice of the army’. Evans argues that ‘the Debates were essentially concerned with the search for ...
Ireton, the son of one of Cromwell’s generals, was also a grandchild of the Lord Protector himself. Though his father, a regicide, had died in 1651, the family estates were nevertheless confiscated after the Restoration and vested in the Duke of York. Nothing is known of Ireton’s career until 19 Jan. 1684 when he was accused of complicity ...
27 de nov. de 2021 · Henry Ireton. copy attributed to Robert Walker, after Samuel Cooper, and Sir Anthony van Dyck. oil on canvas, circa 1650. 49 in. x 39 1/2 in. (1245 mm x 1003 mm) Purchased, 1945. Primary Collection. NPG 3301. On display in Room 6 on Floor 3 at the National Portrait Gallery.
