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Vence, Alpes-Maritimes, France (1966) Scénographe, metteur en scène, théoricien et auteur britannique, également acteur et plasticien. Fils unique de la comédienne Ellen Terry et de l’architecte-décorateur Edward Godwin, Edward Gordon Craig étudia à Bradfield et à Heidelberg. Il débuta comme acteur dans la compagnie de Henry Irving ...
In his book On the Art of the Theatre (1911), Edward Gordon Craig recounted seeing a sign on the stage door at the Munich Künstlertheater that momentarily made him think he had discovered “heaven.” “Sprechen Streng Verboten” (speaking strictly forbidden), it read.
Edward Gordon Craig. Routledge, Sep 25, 2008 - Art - 192 pages. First published in 1911, On the Art of the Theatre remains one of the seminal texts of theatre theory and practice. Actor, director, designer and pioneering theorist, Edward Gordon Craig was one of twentieth century theatre’s great modernisers. Here, he is eloquent and ...
Ecured está de mantenimiento. Estimados usuarios: Queremos informarles que la plataforma Ecured entrará en un periodo de actualización debido a trabajos en algunos de sus servidores. Durante este intervalo, el acceso a la plataforma se verá interrumpido. Al concluir estos trabajos, Ecured retomará su funcionamiento normal. inconveniente ...
See Edward Gordon Craig, “Dresden. CK [Count Kessler] MM [Maurice Magnus] etc.,” EGC Ms B 741, Fonds Edward Gordon Craig, DAS–BnF. Henceforth cited as “Dresden.” This folder contains projections of profits and expenses and a few notes by Craig on the Dresden Über-Marionette International Theatre project.
20 de mar. de 2003 · Edward Gordon Craig (1872-1966) at the Arena Goldoni, with a model stage, 1912. (Craig-Lees Collection, Harvard Theatre Collection) Edward Gordon Craig (1872-1966) was perhaps the most influential theatrical designer in the first decades of the 20th century, and was known for using nonrealistic, symbolist design rather than sentimentality in his creations.
9 de nov. de 2009 · Edward Gordon Craig (1872-1966) fue actor y director de teatro, admirador de Stanislavsky, Wyspianski, Yeats, Whitman, Blake y Nietzsche. Fundamentalmente, destacó como escenógrafo, convirtiéndose pronto en un hito referencial dentro de la historia del teatro y el arte.
