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  1. 14 de ago. de 2023 · In 1651, Eleonora’s great-niece and namesake Eleonora Gonzaga, nicknamed “the Younger”, became the third wife of Ferdinand III, Holy Roman Emperor, the son and heir of Ferdinand II. Eleonora amended her will and named her great-niece as her main heir. In addition, she left considerable amounts for charity and memorial services.

  2. Eleonora Gonzaga, Duchess of Urbino (31 December 1493 – 13 February 1570 was Duchess and sometime regent of Urbino by marriage to Francesco Maria I della Rovere, duke of Urbino. She served as regent during the absence of her spouse in 1532.

  3. Eleonora Gonzaga, also called Eleonora of Mantua, was from the ducal family of Mantua. On her marriage to Emperor Ferdinand II in 1622, she brought the opera, then a very new art form, to the court at Vienna. Under her father Vincenzo, Mantua had become a centre of Italian art. Claudio Monteverdi, whose Orfeo (1607) was one of the first operas in the history of music, lived

  4. Eleonora Gonzaga (1598ko irailaren 23a - 1655eko ekainaren 27a), Mantuako printzesa jaio zen Gonzaga Etxeko kide gisa, eta Fernando II.a Erromatar Inperio Santuaren enperadorearekin ezkonduta, Inperio Santuko enperatriz, Alemaniako erregina, Hungariako erregina eta Bohemikoa erregina izan zen.

  5. Eleonora Gonzaga (n. 23 septembrie 1598 , Mantova , Ducatul de Mantova ⁠( d ) – d. 27 iunie 1655 , Viena , Sfântul Imperiu Roman ) a fost a doua soție a lui Ferdinand al II-lea, Împărat Roman , Arhiducesă de Austria, regină a Germaniei, regină a Ungariei și Boemiei [7] .

  6. 11 de sept. de 2023 · Eleonora Gonzaga of Mantua was the third of the three wives of Ferdinand III, Holy Roman Emperor. Born on November 18, 1630, in Mantua, Duchy of Mantua , now in Lombardy, Italy, Eleonora was the younger of the two children and the only daughter of Carlo II Gonzaga, Duke of Nevers and his first cousin Maria Gonzaga, Duchess of Montferrat in her own right.

  7. Descripción de la obra Retrato de Eleonora Gonzaga della Rovere, 1538.. Aretino, amigo de Tiziano, analizaba en una carta el retrato del duque de Urbino. [2] En él, el militar es representado de tres cuartos, con armadura y bastón de mando de la República de Venecia, visto desde abajo para realzar su presencia y poder.