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Hace 4 días · Above: Le Noyé (The Drowned Man), about October 18, 1840, Hippolyte Bayard. _____ Hippolyte Bayard never got the attention he deserved as one of the inventors of photography. And he knew it. While working as a civil servant in the Ministry of Finance in the late 1830s and early 1840s, …
Hace 5 días · Deconstruir la imagen, poner el foco Qué mirar, cómo mirar, etc. El espejo: Reemplazar espejo por cámara fotográfica. Las redes sociales ...
Hace 3 días · Photographer Hippolyte Bayard staged the portrait of himself as a dead man to make a point. He was an early pioneer in photography, but felt slighted by his colleagues. Bayard invented a direct-positive process that allowed for the capture of images on paper in 1839.
Hace 3 días · The exhibitions presents works by impressionist painters from the collections of the MuMa or major institutions such as the Musée d’Orsay or the Museums of Fine Arts of Lyon and Amiens (with Eugène Boudin, Gustave Courbet, Johan Barthold Jongkind, Louis Alexandre Dubourg, Claude Monet, Camille Pissarro…) alongside photographs by Auguste Autin, Edmond Bacot, Hippolyte Bayard, Julien Blot ...
Hace 2 días · Presented at the André Malraux Museum of Modern Art – MuMa, the exhibition Photographing in Normandy (1840-1890). A pioneering dialogue between the arts aims to highlight the decisive role that Normandy played in the beginnings of photography. Exhibiting photographs on the occasion of the fifth edition of Normandie Impressionniste and especially for the 150th anniversary of the movement ...
Hace 3 días · L'exposition photographique Improbable Certitude est visible à La Filature de Varennes-sous-Dun du samedi 25 mai au vendredi 21 juillet. La Filature, projet industriel, naît en 1840 ; la même année Hippolyte Bayard se photographie : "Autoportrait en noyé" titre-t-il… une improbable certitude. Quatorze artistes présentent à La Filature ...
Hace 2 días · The extraordinary density of Watson’s tactile and prickly memento-coating brings to mind the collages of Peter Madden, and as with his surfaces, the turbulent sea of imagery (packed with wild juxtapositions) is overwhelming with its random mix of very different scales, design styles and subject matters. However, with the two flat horizontal ...
