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  1. 27/09 > 27/11. 10 AM - 6 PM. Central Pavilion. Admission with ticket. In 1924, when Benedetta Cappa published her first book Le forze umane: romanzo astratto con sintesi grafiche, Futurism was undergoing a radical reinvention that softened its previous ideological impetus. Like other representatives of “Second Futurism” – including her ...

  2. CAPPA, Benedetta. Luce Marinetti Barbi. Nacque a Roma, seconda di cinque figli, il 14 ag. 1897 da Innocenzo, ufficiale di carriera, piemontese, e da Amalia Cipoffina, di confessione valdese. Iniziò giovanissima a scrivere poesie e a dipingere. Maestra giardiniera saltuariamente e per breve tempo, creava oggetti didattici per i bambini.

  3. 6 de abr. de 2018 · The Galleries at Moore. La Futurista: Benedetta Cappa Marinetti. Edited by Elsa Longhauser. Philadelphia, PA: Moore College of Art and Design, 1998. Exhibition catalogue. The Solomon R. Guggenheim Museum. Italian Futurism 1909 - 1944: Reconstructing the Universe. Edited by Vivian Greene. New York, NY: Guggenheim Museum Publications, 2014.

  4. Benedetta, geboren als Benedetta Cappa, vanaf 1923 Benedetta Marinetti geheten (Rome, 14 augustus 1897 – Venetië, 15 mei 1977), was een Italiaans schilderes en schrijfster van het futurisme. Levensloop. Benedetta Cappa begon al op jonge leeftijd met het schrijven van gedichten en het maken van schilderijen.

  5. Benedetta, a painter and author of words-in-freedom poetry and experimental novels, was a major proponent of the later phase of the movement, known as Second Futurism. Born into an intellectual family in Rome, she was immersed in the Futurist milieu from a young age: she was friends with the artist Růžena Zátková, studied with Giacomo Balla, and later married F. T. Marinetti.

  6. 6 de abr. de 2018 · The Galleries at Moore. La Futurista: Benedetta Cappa Marinetti. Edited by Elsa Longhauser. Philadelphia, PA: Moore College of Art and Design, 1998. Exhibition catalogue. The Solomon R. Guggenheim Museum. Italian Futurism 1909 - 1944: Reconstructing the Universe. Edited by Vivian Greene. New York, NY: Guggenheim Museum Publications, 2014.