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Arman : uno sguardo sempre nuovo sul mondo , Arman. Opere del 1979, Pierre Restany, Rome, Le Point Art Studio . 1982 Fünfundszwanzig Jahre als Erfolg / Vingt-cinq ans de bonheur , Arman, Parade der Objeckte, Retrospektive 1955 bis 1982, Pierre Restany, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman.
The term Nouveau Réalisme (New Realism) was forged by Pierre Restany during an early group exhibition in May 1960. By returning to "realism" as a category, he was referring to the 19th-century artistic and literary movement which aimed to describe ordinary everyday reality without any idealisation.
Synopsis. En 1969 tuvo lugar, en Uruguay, la Primera Bienal de Escultura. Entre las personalidades invitadas al evento se encontraba el controversial crítico francés Pierre Restany. El presente documento expone algunas de sus ideas en torno a los aspectos sociales de la crítica de arte, consideraciones sobre las bienales, la política, y la ...
Pierre Restany appeared in the thick of the debate. He noted the emergence of a new critic with a keen eye on the Americans in the form of Otto Hahn. He came out against Greenberg on the juries he was part of, and he contributed in other respects to enlightening the minister of culture, who consulted him.
Chalumeau, Jean-Luc and Pierre Restany (preface), Arman: Shooting Colors, Paris, France: Éditions de la Différence, Autre Musée/Grandes Monographies, 1989 ISBN 978-2729104672 Kuspit, Donald. Monochrome Accumulations 1986—1989 .
Nouveau réalisme (French for "new realism") is an artistic movement founded in 1960 by the art critic Pierre Restany [1] and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Pierre Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April ...
El autor de esta nota tuvo con Pierre Restany una amistad de cuarenta años, en la que compartimos reconocimientos mutuos y, por supuesto, múltiples muestras, congresos y jornadas de arte. Nos ...
