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25 de sept. de 2017 · Lissitzky was born in Smolensk in 1890. Denied access to the imperial academy by official anti-Semitism, he studied architecture in Darmstadt instead, until the war sent him back to Russia, where pogroms were raging and Hebrew publishing was suppressed. Then came the revolution. El lissitzky self portrait with propaganda poster of lenin.
El Lissitzky, Beat the Whites with the Red Wedge, 1919, color lithograph on paper, 51 x 62 cm. Beat the Whites with the Red Wedge is a propaganda poster designed by El Lissitzky using the abstract visual language of Suprematism, an art movement founded by Kasimir Malevich in 1915. Made in support of the efforts of the Bolshevik Red Army to ...
Between 1919 and 1927 El Lissitzky produced a large body of paintings, prints, and drawings that he referred to by the word Proun (pronounced pro-oon ), an acronym for "project for the affirmation of the new" in Russian. Lissitzky's style reflects his training as an architect in Germany before World War I as well as the inspiration of Kazimir ...
6 de dic. de 2023 · El Lissitzky, Beat the Whites with the Red Wedge, 1919, color lithograph on paper, 51 x 62 cm. Beat the Whites with the Red Wedge is a propaganda poster designed by El Lissitzky using the abstract visual language of Suprematism, an art movement founded by Kasimir Malevich in 1915. Made in support of the efforts of the Bolshevik Red Army to ...
El Lissitzky. El Lissitzky was one of the foremost practitioners of Russian abstraction. He was steered to abstract art by the influence of Malevich’s Suprematist ideas, which he soon abandoned as he found them excessively mystic. He was raised in Vitebsk, in an environment deeply marked by the Jewish religion.
El Lissitzky (en inglés) Ocupación: pintor, diseñador, fotógrafo, maestro, tipógrafo, y arquitecto: Obras destacadas: Sihas hulin: Eyne fun di geshikhten (Una conversación cotidiana), Cartel para la exposición rusa, Kunstgewerbemuseum, Zúrich, Diseño para Vladímir Mayakovski, Dlia gólosa (Para la voz)
El Lissitzky's entire career was based on his belief that the artist could be an agent for change. Lissitzky, who was Jewish, began his career illustrating Yiddish children's books. This was to promote Jewish culture in Russia, which had just ended its antisemitic laws. He started teaching at 15; and taught throughout his life.
