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  1. Domenico di Giacomo di Pace Beccafumi, más conocido como Domenico Beccafumi fue un pintor, escultor y versátil grabador italiano, destacado representante d...

  2. Domenico Beccafumi in Palazzo Pubblico, Siena. In the second half of the quattrocento artists, destined to noticeably change the figurative culture through the more “modern” forms of the Renaissance, emerge in Siena: in Sculpture Donatello’s presence is very important; he is the artist who clearly caused the emergence of individual ...

  3. Self-portrait. Domenico Beccafumi (Montaperti, Siena 1486 circa-Siena 1551) This bearded man, with his head wrapped in a white turban-like cloth, is the Sienese painter Domenico Beccafumi, who is also the author of the painting. The whole composition is based on the contrast between the white of the headdress and collar, the ochre of the ...

  4. Literature: Donato Sanminiatelli, Domenico Beccafumi. Milan 1967, p. 170 (under paintings attributed to Beccafumi) Among the precious survivors of Renaissance secular paintings for domestic interiors are several unusual and particularly attractive panels painted in Siena at the end of the fifteenth and beginning of the sixteenth centuries.

  5. 28 de may. de 2023 · This page was last edited on 28 May 2023, at 10:59. Files are available under licenses specified on their description page. All structured data from the file namespace is available under the Creative Commons CC0 License; all unstructured text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.

  6. Domenico Beccafumi (1484/1485–1551) Paintings Collection. (b nr. Siena, c.1485; d Siena, Jan./May 1551). Sienese painter, sculptor, and printmaker. He is now generally considered the outstanding Sienese Mannerist artist, although Sodoma was more highly esteemed by his contemporaries. According to Vasari, he visited Rome early in his career ...

  7. 82 L’«ERCOLE AL BIVIO» DI DOMENICO BECCAFUMI Beccafumi tale opposizione non è così netta: la donna che impersona la Virtù non ha un aspetto sgradevole, ma la sua bellezza fisica è occultata dall’estrema semplicità della veste grigia; la personificazione del Vizio, o del Piacere che sia, mostra al contrario tutto il suo fascino femminile, ma non porta gioielli ed è scalza.

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