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  1. Giovanni Battista Tiepolo, also known as Giambattista Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.

  2. La Inmaculada Concepción. La. Inmaculada Concepción. 1767 - 1769. Óleo sobre lienzo, 281 x 155 cm. Sala 023. La Virgen María aparece sobre la bola del Mundo y la media luna, pisando la serpiente del Pecado Original, coronada por la paloma del Espíritu Santo y rodeada por ángeles y por algunos de los símbolos marianos. Éstos son la vara ...

  3. Giovanni Battista Tiepolo, also known as Giambattista Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.

  4. Giovanni Battista Tiepolo (1696-1770) fue un pintor italiano, uno de los exponentes más famosos de la pintura del Rococó. A continuación se listan sus trabajos pictóricos: Palacio Arzobispal de Udine (1726-1729) [ editar ]

  5. Giovanni Battista Tiepolo lub Giambattista Tiepolo (ur. 5 marca 1696 w Wenecji , zm. 27 marca 1770 w Madrycie ) – włoski malarz, freskant , rysownik, grafik i rytownik okresu rokoka , ostatni z wielkich mistrzów weneckiego malarstwa dekoracyjnego.

  6. Giovanni Batistta Tiépolo. Tiépolo, Giovanni Battista. Venecia (Italia), 5.III.1696 – Madrid, 27.III.1770. Pintor. Hijo de Domenico y Orsetta. Su padre era un capitán de la Marina Mercante. Habitaban en Castello (Venecia), cerca del arsenal. Se le ha considerado el principal maestro de la escuela veneciana y uno de los mejores naturalistas ...

  7. 21 de feb. de 2024 · Person. Born into a wealthy and noble family in Venice, Giambattista Tiepolo was recognized by contemporaries throughout Europe as the greatest painter of large-scale decorative frescoes in the 1700s. He was admired for having brought fresco painting to new heights of technical virtuosity, illumination, and dramatic effect.