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1 de nov. de 2007 · Books. Sacred Narratives. Lucrezia Tornabuoni de' Medici. University of Chicago Press, Nov 1, 2007 - Poetry - 280 pages. The most prominent woman in Renaissance Florence, Lucrezia Tornabuoni de' Medici (1425-1482) lived during her city's golden age. Wife of Piero de' Medici and mother of Lorenzo the Magnificent, Tornabuoni exerted considerable ...
Clarisa era hija de Jacobo Orsini, señor de Monterotondo, y de Magdalena, hija de Carlos, duque de Bracciano, y hermana del cardenal Latino Orsini . La madre de Lorenzo de Médici, Lucrecia Tornabuoni, se ocupó personalmente de arreglar un matrimonio de prestigio para su primogénito, rodeándose de la alta sociedad en Roma para sondear a las ...
Lucrezia Tornabuoni De' Medici and the Medici Family in the Fifteenth Century G - Reference,Information and Interdisciplinary Subjects Series: Authors: Maria Grazia Pernis, Laurie Adams: Edition: illustrated: Publisher: Peter Lang, 2006: ISBN: 0820476455, 9780820476452: Length: 181 pages: Subjects
Lucrecia fue una dama florentina que se acabaría convirtiendo en la matriarca de la familia Médici y en señora de Florencia, siendo recordada por ser una gra...
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1444 (around) A daughter Maria was born to Piero and possibly Lucrezia or another woman. The exact date of Maria’s birth is not known but given that her sister Bianca was born in September 1445, Maria was either conceived out of wedlock or she was Piero’s illegitimate daughter. She was raised by Lucrezia as her own child.
Lucrécia Tornabuoni (Florença, 22 de junho de 1427 – Florença, 28 de março de 1482) [1] foi uma escritora e conselheira política influente. [2] Nascida numa das famílias mais influentes da Itália do século XV , veio a casar-se com Pedro de Cosme de Médici , entrando assim para outra das famílias mais poderosas da Itália e aumentando o seu próprio poder e influência.
Long obfuscated by modern definitions of historical evidence and art patronage, Lucrezia Tornabuoni de’ Medici’s impact on the visual world of her time comes to light in this book, the first full-length scholarly argument for a lay woman’s contributions to the visual arts of fifteenth-century Florence. This focused investigation of the Medici family’s domestic altarpiece, Filippo Lippi ...
