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La aventura - Película dirigida por Michelangelo Antonioni, protagonizada por Gabriele Ferzetti, Monica Vitti, Lea Massari, Dominique Blanchar
Advertisement. "L'Avventura" created a stir in 1960, when Kael picked it as the best film of the year. It was seen as the flip side of Fellini's " La Dolce Vita ." Both directors were Italian, both depicted their characters in a fruitless search for sensual pleasure, both films ended at dawn with emptiness and soul-sickness.
27 de jul. de 2012 · When Michelangelo Antonioni’s L’avventura arrived in 1960 – amidst a tumultuous reception in Cannes that saw some disturbed audience members wanting to throw something at the screen – cinema was already changing in fundamental ways. The makers of individual, handmade films that had been institutionally kept out on the fringes (Stan ...
Review by matt lynch ★★★★ 1. A bit of advice for the European bourgeoisie: never, ever travel, especially on vacation. According to the movies it's guaranteed to reveal uncomfortable truths, disrupt your relationships, and/or generally throw you into existential crisis. 1,245 likes. Review by Marcissus ★★★★ 6. L’Avventura isn ...
Con base en París, Unifrance cuenta con más de cincuenta colaboradores, además de sus oficinas en los Estados Unidos, China y Japón. Esta asociación representa en la actualidad a más de 1 000 profesionales del cine y del audiovisual franceses (productores, artistas, representantes, agentes de ventas, etc.), que trabajan en equipo para hacer brillar el cine y los programas audiovisuales ...
25 de jun. de 2010 · Días de cine 50 años de 'La aventura'. Una de las obras maestras de Michelangelo Antonioni y de la historia del cine. Un viaje al interior del ser humano en el que destaca la bellísima...
11 de dic. de 1989 · Many films are called “classic,” but few qualify as turning points in the evolution of cinematic language, films that opened the way to a more mature art form. Michelangelo Antonioni’s L’Avventura (The Adventure) is such a work. It divided film history into that which came before and that which was possible after its epochal appearance. It expanded our knowledge of what a film could be ...
