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Stairway to Heaven. Various recording dates. Released July 1995 (Conifer Classics); re-issued June 2009 (Sony Music). A second Conifer Classics compilation of previously-issued recordings, subsequently re-packaged for its 2009 Sony Music re-issue. This album (presented with its Sony re-issue cover artwork) is available on Spotify: use the ...
11 de jun. de 2023 · The River Cam, Trinity College Backs. A delightful programme of choral music sung from punts moored on the River Cam at Trinity Backs. The Choir of Trinity College Cambridge. Stephen Layton (Conductor) Admission free, unticketed. To access this concert, please enter Trinity College via the Brewhouse Gate on Garret Hostel Lane or the back gate ...
Voted the fifth best choir in the world in Gramophone magazine’s ‘20 Greatest Choirs’, the Choir of Trinity College Cambridge comprises around thirty Choral Scholars and two Organ Scholars ...
The Choir of Trinity College is a world-renowned choir that has launched the musical careers of several choristers. Then we have our a cappella groups, the Tiger Tones and the Candystripes, a music society, student bands and DJs, scholarships for music students and an annual student musical. In addition to singing the services in the College ...
Trinity College Choir’s award-winning discography is a remarkable body of work accomplished over some 40 years by Stephen Layton, Richard Marlow, and successive generations of choral and organ scholars. Alongside foundational masterworks of the European Renaissance, Baroque and Romantic periods, the Choir’s recordings champion the decisive ...
12 de jun. de 2022 · The Choir makes its traditional May Week appearance atop the towers of Trinity College’s Great Court. The Choir of Trinity College Cambridge. Stephen Layton (Conductor) Admission free, unticketed. Please enter Trinity College via the Great Gate on Trinity Street.
4 de jul. de 2016 · Stanford - Choral Music. Share. Recorded 27-29 June and 3-4 July 2016. Released July 2017. GRAMOPHONE EDITOR’S CHOICE JULY 2017. “Tea cups are shattered along with prim liturgical proprieties in a recording that reclaims this repertoire as the full-blooded Christian battle cry that it is.”. – Gramophone Magazine.
