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22 de oct. de 2020 · Created by the Director’s Guild of America in 1968, Alan Smithee was, for many years, the official pseudonym directors could dump their credits on in order to avoid having a blemishing film scribbled into their portfolios. The name was first credited on the film Death of a Gunfighter in 1969 after directors Robert Totten and Don Siegel both ...
14 de nov. de 1996 · Source. An Alan Smithee Film: Burn Hollywood Burn (the onscreen title is simply Burn Hollywood Burn) is a 1997 comedy film and is regarded as one of the worst films of all time, scooping five awards (including Worst Picture) at the 1998 Golden Raspberry Awards. The film had an estimated budget of $10 million and grossed at least $52,850, being ...
Alan Smithee est un Réalisateur, Scénariste, Acteur américain. Découvrez sa biographie, le détail de ses 46 ans de carrière et toute son actualité
24 de feb. de 2018 · Alan Smithee is not, was not, and never has been a real person. Rather, he was the pseudonym used by directors who wished to disown a project. When a filmmaker felt that they had lost control of a movie, or that it had been altered or changed against their wishes, they could appeal to the Director’s Guild of America (DGA), and if successful, their name would be removed and replaced by that ...
From Wikipedia, the free encyclopedia Alan Smithee (also Allen Smithee) was an official pseudonym used by film directors who wish to disown a project, coined in 1968. Until its use was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when a director dissatisfied with the final product proved to the satisfaction of a guild panel ...
Alan Smithee es un director conocido por MacGyver (Serie de TV) ¿Deseas mejorar / corregir algo sobre este nombre? Puedes enviar sugerencias sobre esta o cualquier otra persona o productora.
14 de ene. de 2023 · “Alan Smithee” is a pseudonym used by Hollywood directors to remove their names from movies over which they have lost creative control. In this exhibition Cynthia Talmadge animates Smithee, imagining him in the mid-1980s as a down-on-his-luck, middle-aged baby boomer, trying, elaborately but ineptly, to revive a career defined by burned bridges, bad behaviour, and commercial failure.
