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  1. Natalia was married to Major-General Petr Petrovich Lanskoy from 1844 until her death in 1863. Prior to marriage [ edit ] Natalia (Natalya) Goncharova was born on 8 September 1812 (27 August 1812 Old Style) in Karian village in Tambov Governorate (in present-day Znamensky District, Tambov Oblast ), where her family lived during the occupation of Moscow by the forces of Napoleon .

  2. 4 de jun. de 2019 · Study for a textile design for House of Myrbor 1925-1928. Photograph: Natalia Goncharova/© ADAGP, Paris and DACS, London 2019. Right through this exhibition I imagined a soundtrack of Russian ...

  3. 1 de oct. de 2017 · Natalia Sergeevna Goncharova (Russian: Ната́лья Серге́евна Гончаро́ва; 3 July 1881 – 17 October 1962) was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov.

  4. 5 de jun. de 2019 · Christina Lodder. An early leader in the Russian avant-garde, Natalia Goncharova blazed a trail with her experiments in art and design. During her dazzling and sometimes controversial career she created paintings, sculptures and religious series, refusing to let gender define her artistic approach. She also worked on stage sets, illustrated ...

  5. www.artnet.com › artists › natalia-sergeevna-goncharovaNatalia Goncharova | Artnet

    Natalia Goncharova was a Russian artist known for her Futurist paintings. View Natalia Goncharova’s 2,142 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available works on paper, paintings, and prints and multiples for sale and learn about the artist.

  6. En 1919, Mijaíl Lariónov y Natalia Goncharova abandonaron la asociación Sota de Diamantes y organizaron su propia exposición con varios simpatizantes; la titulan La Cola de Burro y participan, entre otros, Kazimir Malévich, Tatlin y el recién llegado Marc Chagall.

  7. 19 de ago. de 2019 · The Art Salon exhibition was a crowning achievement for Goncharova. It established her as the leader of the avant-garde and put her on the radar of Sergei Diaghilev, who promptly commissioned the young artist to design the Ballets Russes production of Le Coq d’or, “her first step to European fame,” writes Iliukhina.

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