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Wake Forest theatre majors have become actors, directors, stage managers, designers, theatre artistic directors, professors, cabaret singers, playwrights, and members of comedy troupes. Others have made careers outside of the arts and enjoy participating in community theatre. Many graduates also serve on boards for civic arts organizations.
kamtmamj@wfu.edu. Scales 227. 336.758.7435. MICHAEL KAMTMAN regularly teaches THE 110 (Introduction to Theatre) and has also taught THE 140 (Acting I) and THE 130 (Dynamics of Voice and Movement).He moved to North Carolina from New York in 1988 to work with the North Carolina Shakespeare Festival for his first of 15 seasons as an actor/fight ...
Hace 6 días · Class of 2024 May 21, 2024. Senior named a winner in playwright competition February 28, 2024. ’23-’24 Season Announced July 31, 2023.
Group Tickets: If you are bringing a group of at least 10 students to a performance, please call the Box Office at 336-758-5295 to make arrangements. You may be eligible for a group discount. Late Seating: We make every effort to start performances on time. We strongly encourage patrons of all shows to arrive at least 20 minutes early to avoid ...
He is a founding member of Tom Foolery Productions and Blue Moon Theatre Company. He’s appeared in several TV films including The Broken Chain, The Patron Saint of Liars and Wesley. Courses Taught Introduction To The Theatre (THE 110) Degrees: B. A. in Theatre, Wake Forest University M.A. in Theatre, Wake Forest University
Adjunct Lecturer, Dance. harperam@wfu.edu. WS 126. Adina Harper began her American style Ballroom and Rhythm training in 1997 and quickly fell in love with the joy of dancing. In 2000 she broadened her training to encompass International Standard and Latin. Soon she began performing in shows and competing throughout the region.
curryjk@wfu.edu. Scales 208A. 336.758.3941. Jane Kathleen “J.K.” Curry is the author of John Guare: A Research and Production Sourcebook and Nineteenth-Century American Women Theatre Managers. She is the editor of Theatre Symposium, v. 18 “The Prop’s the Thing: Stage Properties Reconsidered” (2010) and v. 19 “Theatre and Film” (2011).
