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9 de sept. de 2022 · In the summer of 2022, the Jeu de Paume presents the first exhibition devoted exclusively to the figure of Jean Painlevé. A filmmaker with an international reputation for his filmic experiments, Jean Painlevé (1902-1989) was a specialist in scientific documentary and film techniques. Associated with the avant-garde, Painlevé uses film as an ...
During the late 1930s, Painlevé helped immigrants on the run from Nazism obtain work visas and French citizenship. Persona non grata during the occupation, Painlevé spent years in hiding, escaping to Spain underwater, using scuba-diving gear he had invented, and making clandestine visits to France.
Jean Painlevé (Parigi, 20 novembre 1902 – Neuilly-sur-Seine, 2 luglio 1989) è stato un regista francese. Figlio del matematico e uomo politico francese Paul Painlevé . Laureato in medicina, partecipò attivamente al movimento d'avanguardia cinematografica dedicandosi poi alla cinematografia scientifica.
Ostend, Queen of Seaside Resorts (1931, Dir: Henri Storck, Commentary: Jean Painlevé) Total Eclipse of the Sun on June 19, 1936 from Kharkov (Dir: Joseph Leclerc ; Prod:Jean Painlevé) The Scientific Work of Pasteur (1947, Dir: Georges Rouquier Prod: Jean Painlevé) Blood of the Beasts (1949, Dir: Georges Franju, Commentary: Jean Painlevé)
22 de ago. de 2022 · Jean Painlevé, à contre-courant. Chercheur fasciné par le vivant et cinéaste anticonformiste, Jean Painlevé (1902-1989) a hissé le cinéma scientifique au rang d’art. En plus de deux cents films (« Le Bernard l’ermite », 1929 ; « Le Vampire », 1945 ; « Acéra ou le Bal des sorcières », 1978), ce biologiste proche des ...
20 de abr. de 2009 · During the late 1930s, Painlevé helped immigrants on the run from Nazism obtain work visas and French citizenship. Persona non grata during the occupation, Painlevé spent years in hiding, escaping to Spain underwater, using scuba-diving gear he had invented, and making clandestine visits to France.
MALE PROFESSOR:Okay, we've been discussing films in the 1920s and 30s, and how back then film categories, as we know them today, had not yet been established.We said that by today's standards, many of the films of the 20s and 30s would be considered hybrids, that is, a mixture of styles that wouldn't exactly fit into any of today's categories ...
