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23 de mar. de 2013 · In September 1959, Cannonball left Davis and reunited with Nat in a new Cannonball Adderley quintet. Recorded live one month later at San Francisco’s Jazz Workshop, the band became an immediate success with their version of Bobby Timmons’s sanctified waltz “This Here” and a leading practitioner of what came to be called soul jazz.
13 de sept. de 2012 · Shelly’s current combo that was taped for this third program in the Jazz Scene USA series included Conte Candoli on trumpet, Richie Kamuca on tenor sax and Monty Budwig on bass. The jazz club scene in Los Angeles had changed radically from its halcyon days in the 1950s. Clubs like The Haig, Jazz City, Zardi’s and The Tiffany Club were long ...
10 de feb. de 2013 · The camera coverage of Phineas’ keyboard work, Al McKibbon’s bass artistry and Kenny Dennis’ tasteful drumming are a joy to watch. Phineas Newborn, Jr. (December 14, 1931 in Whiteville, Tennessee – May 26, 1989 in Memphis, Tennessee) was an American jazz pianist, whose principal influences were Art Tatum, Oscar Peterson and Bud Powell.
4 de ene. de 2013 · Oscar Brown, Jr. opens the program with a capsule history of the arrangers who have been an integral part of the evolution of the Stan Kenton Orchestra and displays on camera photographs of Pete Rugolo, Bob Graettinger, Gerry Mulligan, Johnny Richards, Willis “Bill” Holman, Gene Roland and Lennie Niehaus who Oscar points out wrote the arrangement of the theme music by Steve Allen that ...
17 de ago. de 2013 · PRECIOUS and PRICELESS! - Jazz Scene USA with Nancy Wilson 1962 - Host: Oscar Brown, Jr. - Lou Levy - pno, Al McKibbon - bass, Kenny Dennis - drums. 1- Happy...
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In 1962, he worked on the Westinghouse syndicated television program Jazz Scene USA, produced by Steve Allen. Brown was the show's presenter and it featured a new musical guest each week. Brown sang the theme for the 1970 drama series Bird of the Iron Feather, the first all-Black television soap opera. Personal life
Hace 4 días · LA Jazz Scene: That’s amazing and you have a very large and loyal fan base. Chris Botti: Honestly, we’re been very lucky and we just got back from a long stint in Asia. It’s crazy to go all the way across the world and have huge audiences. LA Jazz Scene: In LA, the Wiltern seems to be somewhat of a home for your band.
