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Otra de las muchas cintas que Shirley Temple protagonizó como niña sin padres, pero con una mentalidad alegre y optimista. Entre su reparto destaca la presencia de la veterana Jane Darwell (1879-1967), que con una amplia trayectoria artística comenzó su carrera en el cine en 1913 y que después en el sonoro adquirió gran popularidad como complemento de la propia Shirley Temple en títulos ...
Jane Darwell aloitti uransa teatterissa Chicagossa. Hän näytteli ensimmäisessä elokuvassaan vuonna 1913. Yhteensä Darwell näytteli parissakymmenessä elokuvassa seuraavien kahden vuoden aikana, ja tämän jälkeen hän palasi teatteriin. Hän palasi elokuvanäyttelijäksi vasta 1930-luvun alussa, jolloin hän esiintyi lähinnä vain ...
Jane Darwell was an American actress of stage, film, and television. She began her career in vaudeville and on the stage in the early 1900s. She appeared in over 300 films between 1914 and 1967, often playing kindly, grandmotherly characters. She won an Academy Award for Best Supporting Actress for her performance in The Grapes of Wrath (1940).
Oscar-díjak. Legjobb női mellékszereplő Érik a gyümölcs (1941) IMDb. PORT.hu. A Wikimédia Commons tartalmaz Jane Darwell témájú médiaállományokat. Sablon • Wikidata • Segítség. Jane Darwell (Palmyra, Missouri, 1879. október 15. – Los Angeles, 1967. augusztus 13.) Oscar-díjas amerikai színpadi és filmszínésznő.
9 de abr. de 2015 · Oscar Profile #230: Jane Darwell. Born Patti Mary Woodward on October 15, 1879 in Palmyra, Missouri to railroad president William Woodward, who claimed to be a direct descendant of Andrew Jackson, and his wife, the future actress first wanted to be a circus rider, then an opera singer and even thought of entering the convent before finally ...
American actress Jane Darwell was the daughter of a Missouri railroad executive. Despite her father's disapproval, she spent most of her youth acting in circuses, opera troupes and stock companies, making her film debut in 1912.
31 de mar. de 2002 · John Ford 's "The Grapes of Wrath" is a left-wing parable, directed by a right-wing American director, about how a sharecropper's son, a barroom brawler, is converted into a union organizer. The message is boldly displayed, but told with characters of such sympathy and images of such beauty that audiences leave the theater feeling more pity ...
