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  1. Once considered one of Hollywood's premier directors during the 1930s, Josef von Sternberg was mainly remembered for his seven films with German actress Marlene Dietrich. But his main contributions were actually to the language of film, particularly his handling of lighting and mise-en-scene. Von Sternberg was first and foremost a master ...

  2. Many of Josef von Sternberg’s peers from that time believe that von Sternberg’s turbulent relationship with Dietrich eventually broke him causing his work to suffer for many years to come. He lost control over several of these productions and for years went into a self-imposed exile. Later he came out of retirement to make the brilliant ...

  3. Hace 3 días · Josef von Sternberg è un attore austriaco, regista, produttore, sceneggiatore, montatore, è nato il 29 maggio 1894 a Vienna (Austria) ed è morto il 22 dicembre 1969 all'età di 75 anni a Los Angeles, California (USA). Nei suoi 28 anni di carriera come regista ha diretto L'angelo azzurro [1], Marocco e Shanghai Express.

  4. Carrière au cinéma. Grand styliste visuel, "inventeur de Marlene Dietrich", Josef von Sternberg a mis en scène la cruauté et l'humiliation, autant que le sens du sacrifice et la capacité de rédemption des êtres déchus. Après la guerre, Sternberg travaille avec le réalisateur américain d'origine française Émile Chautard.

  5. 约瑟夫·冯·斯登堡(Josef von Sternberg),美国电影导演。生于奥地利。第一次大战后侨居美国,1923年在好莱坞任编剧和摄影师。以纯熟的摄影技巧和绚丽多彩的电影画面而著称。其最有名的影片为《蓝天使》(1930)。此外曾执导《下层社会》(1927)、《美国的悲剧》(1931)、《罪与罚》(1935)等。作有自传 ...

  6. 29 de may. de 2023 · Las 5 Mejores Películas de Josef Von Sternberg. Si bien no es considerado un precursor, el austriaco Josef Von Sternberg asentó muchas de las bases alrededor del drama y el cine de aventuras hollywoodense, siendo una de las figuras centrales dentro de la construcción de la meca en los años 30.

  7. In 1930, Josef von Sternberg was selected to direct Germany’s first major sound film; Paramount Pictures loaned its contract director to Germany’s UFA production house to direct Emil Jannings once again. For the leading woman, von Sternberg, guided by his admiration for the art of Félicien Rops and