Resultado de búsqueda
Madame de PompadourFrench mistress Madame de Pompadour (1721-1764) came to fame as the paramour of King Louis XV (1710-1774). She was a woman of great beauty, tremendous talent, and enormous influence, despite her humble origins.
29 de dic. de 2023 · Madame de Pompadour, come è universalmente conosciuta, ebbe un impatto incredibile in tanti ambiti: amò sinceramente il re, gli diede più fiducia e creò per lui una vita deliziosa a Versailles; ha sostenuto le arti e la cultura; era molto filantropica e anche fortemente coinvolta nella politica e negli intrighi.
14 de abr. de 2024 · François Boucher, Madame de Pompadour, 1756, Alte Pinakothek, Munich, Germany. Detail. When Boucher painted this portrait in 1756, Madame de Pompadour was at the pinnacle of court life. She is wearing a fashionable green silk dress adorned with pink bows and roses. François Boucher, Madame de Pompadour, 1756
Madame du Pompadour, pastel de Maurice Quentin de La Tour, expus la Salonul de la Paris, 1755 (Louvre) Importanța ei era atât de mare, incat în 1755 a fost abordată de către Anton Wenzel Kaunitz , un proeminent diplomat austriac, cerându-i să intervină în negocierile care au condus la Tratatul de la Versailles (1756).
10 de may. de 2016 · Jeanne Antoinette Poisson, Marquise de Pompadour, may be best known as King Louis XV's chief mistress. But she was also a well-educated tastemaker, a patron of the arts and an artist in her own right.
François Boucher, Madame de Pompadour, oil on canvas, 1750 (extension of canvas and additional painting likely added by Boucher later) (Fogg Art Museum, Cambridge, Massachusetts) Smarthistory images for teaching and learning:
6 de jun. de 2024 · Madame de Pompadour at her Tambour Frame by François-Hubert Drouais, c. 1760. Source: National Gallery, London Madame de Pompadour was never the healthiest of individuals. She suffered from breathing difficulties, heart palpitations, and dizziness, and her gloom deepened in later years due to France’s poor performance in the Seven Years’ War.
