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25 de may. de 2018 · 1. Pierre Restany collection, held at the Institut national d’histoire de l’art (INHA)-Archives de la critique d’art, in Rennes. 2. Richard Leeman (dir.), Le Demi-Siècle de Pierre Restany (Paris: Éditions des Cendres, INHA, 2009). 3. P. Restany wrote a text entitled “Le pouvoir féminin” [Power in the Feminine] that stipulates ...
THE FLORENCE GOULD LECTURES at New York University Volume VI 2002-2004 Edited by Tom Bishop with Coralie Girard A Publication of the Center for French Civilization and Culture New York University 2004 MICHELE C. CONE The Early Career and Formative Years of Pierre Restany The French art critic Pierre Restany was more than the champion of a new ...
Pierre Restany (n. 24 iunie 1930 , Amélie-les-Bains-Palalda , Languedoc-Roussillon , Franța – d. 29 mai 2003 , Paris , Île-de-France , Franța ) a fost artist plastic, critic de artă și filozof cultural francez, de al cărui nume se leagă curentul artistic francez al anilor 1960 cunoscut ca Nouveau réalisme ( Noul realism ).
Pierre Restany appeared in the thick of the debate. He noted the emergence of a new critic with a keen eye on the Americans in the form of Otto Hahn. He came out against Greenberg on the juries he was part of, and he contributed in other respects to enlightening the minister of culture, who consulted him.
Nouveau réalisme 1960 – 1970. Movimiento de artistas franceses y otros artistas europeos anunciado por la publicación en París de un corto manifiesto del 27 de octubre de 1960, elaborado por el crítico francés Pierre Restany (b 1930) y firmado por los originales Nouveaux Réalistes Éstos eran Arman, el artista francés François ...
1 de feb. de 2004 · Pierre Restany (1930-2003): Philosopher of Art. Leonardo (February,2004) Ideas of Reality: Antonio Dias between Rio de Janeiro, Paris, and Milan.
Other articles where Pierre Restany is discussed: Western painting: Art and consumerism: French and Italian art in the 1950s: …manifesto written by the critic Pierre Restany that asserted that since easel painting was dead, a new embrace of reality was called for. In many ways Restany’s manifesto represented a long-overdue French response to the implications of the Duchampian ready-made ...
