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The Blücher Memorial on Bebelplatz green space in Berlin 's Mitte district commemorates the Prussian field marshal and freedom fighter Gebhard Leberecht von Blücher (1742–1819). Created from 1819 to 1826 by Christian Daniel Rauch in neoclassical style, it is a masterpiece of the Berlin school of sculpture. Until 1950 the bronze statue stood ...
His talent was soon spotted by Gottfried Wilhelm Schadow: Rauch became his assistant in 1803 and later received funds to study in Italy by the Prussian king. In 1815 he returned to Berlin, where he laboured tirelessly until his death. Rauch was one of principal proponents of the Berlin school that strove for greater naturalism in sculpture.
1 de ene. de 2023 · Christian Daniel Rauch (born January 2, 1777 in Arolsen; died December 3, 1857 in Dresden) was one of the most important and successful sculptors of German classicism. He was a student of Johann Gottfried Schadow and belongs to the Berlin School of Sculpture.
Christian Daniel Rauch founded the Berlin school of sculpture and was the foremost German sculptor of the nineteenth century. This is a reduced copy of the huge statue cast in 1824 at the Royal Prussian Iron Foundry in Berlin, founded in 1804. The use of iron, rather than imperial bronze, is not surprising; it is more than just a material - it ...
Christian Daniel Rauch. Søn af en fyrstelig kammertjener, en tid lærling hos en billedhugger (1790—97 elev under Valentin i Helsen og Ruhl i Kassel ), derpå selv kammertjener hos kongen af Preussen, lykkedes det ham dog under venlig interesse fra dronning Louise at uddanne sig videre i skulptur; i 1802 kunne han udstille en sovende ...
Christian Daniel Rauch founded the Berlin school of sculpture and was the foremost German sculptor of the nineteenth century. This is a reduced copy of the huge statue cast in 1824 at the Royal Prussian Iron Foundry in Berlin, founded in 1804. The original was displayed in the city of Breslau.
This portrait of Goethe modelled by Christian Daniel Rauch in 1820, was praised for its life-like qualities and appearance. Initially, the replica in plaster stood in Rauch’s Berlin workshop. Marks on its surface are a sign that for reproduction purposes moulds were made of the poet’s bust.
