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29 de may. de 2024 · Sir Philip Sidney - The Academy of American Poets is the largest membership-based nonprofit organization fostering an appreciation for contemporary poetry and supporting American poets. Sir Philip Sidney, born in 1554, was the author of several major works of the Elizabethan era, including Astrophel and Stella, the first Elizabethan sonnet cycle.
Sir Philip Sidney’s The Defence of Poesy, published posthumously in 1595 in two different editions, is considered the first treatise on English poetics.We shall attempt to show how Sidney partakes of the literary quarrel at the end of the XVIth century in England without ever fully acknowledging his role in the polemic.
The sidebar on the right has links to persons, historical events, locations, and concepts relevant to the study of Sidney and the Elizabethan Era. Most of these links lead to the Luminarium Encyclopedia. Renaissance English Literature has its own section. Don't forget to visit the Sir Philip Sidney Discussion Forum to chat and ask questions.
28 de oct. de 2022 · Philip Sidney (1554–1586), courtier, soldier, and poet, was a leading figure in the great literary flourishing that produced, in addition to his own works, those of Spenser and Shakespeare. He was born on November 30, 1554, at Penshurst in Kent, England, the eldest son of Sir Henry Sidney and Lady Mary Sidney.
This article focuses on the first great English poetical treatise, An Apology for Poetry by Sir Philip Sidney, and questions the author’s use of the notion of Ut musica poesis. Seeking to defend the nobleness of poetry thanks to the Aristotelian conception of mimesis, Sidney usually prefers another great analogy, that of Ut pictura poesis.
A documentary on the life and work of Sir Philip Sidney. The greatest Elizabethan hero you've never heard about.
- 24 min
- 8K
- Philip Sidney
28 de mar. de 2008 · This treatment of Sir Philip Sidney's An apology for poetry supports the views that his humanistic defence of literature [poesis] is, in its broadest interpretation, Ciceronian; that his conception of the poetic ‘image’ derives from the scholastic analysis of Christian psychology; and that his most pervasive literary debts are to Aristotle and Horace.
