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Une plongée au temps des sœurs de Shakespeare, au cours de laquelle se dessinera le destin hors du commun d’une femme savante de la Renaissance anglaise, Mary Sidney Herbert, comtesse de Pembroke. Au cours de ce spectacle, Aurore Evain, accompagnée de la comédienne Fanny Zeller, soutiendra cette hypothèse qui a de quoi hanter tout ...
Though the dating of the poem within A Poetical Rhapsody is unclear, Mary Erler has convincingly linked its composition with Elizabeth’s planned visit to Wilton in summer 1599. 11 The poem thus represents a public complement to Sidney Herbert’s ‘Even now that care’, a commendatory poem addressed to Elizabeth which is also thought to have been written in honour of the royal visit to ...
The first woman to publish a play in English, Mary Sidney was fluent in numerous languages, an accomplished musician, and had an alchemical laboratory at her home. Mary Sidney led the most influential literary circle in England and wrote a version of the Antony and Cleopatra story. More info: Mary Sidney Society
Mary Sidney was the daughter of Henry Sidney and Mary Dudley. [2] She was born on 27 October 1561 at Tickenhall near Bewdley in Worcestershire. [2] She was well educated, which was unusual for a girl at the time. She knew French, Italian, Latin and Greek. [3] When she was fifteen, she married Henry Herbert, Earl of Pembroke.
An ongoing examination of the literary world of Early Modern England. Companion site to my forthcoming book which tells the story of Shakespeare and Mary Sidney Herbert the extraordinary woman who appears at every turn in the search for the author. Click to read Spearshaker: Ben Jonson, Mary Sidney, and Shakespeare, by David W Richardson, a Substack publication. Launched 7 months ago.
Allez donc voir au Théâtre de l’Epée de Bois , à la Cartoucherie de Vincennes, Mary Sidney, alias Shakespeare, d’Aurore Evain. Avec tout le sérieux et l’ironie facétieuse qu’on lui connaît, l’autrice-actrice-metteuse en scène y répond du tac au tac à Fanny Zeller, qui campe non moins plaisamment l’avocate du diable ...
Mary Sidney was the most important non-royal woman writer and patron in Elizabethan England. Without appearing to transgress the strictures against women's writing, she composed a sizable body of work, evading criticism by focusing on religious themes and by confining her work to the genres...
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