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Hace 1 día · According to Austrian-American filmmaker Josef von Sternberg, stars such as Del Río, Marlene Dietrich, Carole Lombard and Rita Hayworth helped him to define his concept of glamour in Hollywood. When Del Río returned to Mexico, she radically changed her image. In Hollywood, she had lost ground to the modernity of the faces.
30 de may. de 2024 · Known for her captivating performances and iconic fashion sense, Marlene Dietrich’s enigmatic charm and fearless advocacy for self-expression have left a lasting impact on the entertainment industry and the LGBTQ+ community.
Hace 3 días · Bacharach with Marlene Dietrich in Jerusalem, 1960. In 1956, at the age of 28, Bacharach's productivity increased when composer Peter Matz recommended him to Marlene Dietrich, who needed an arranger and conductor for her nightclub shows.
Hace 2 días · While filming Destry Rides Again (1939), Stewart had an affair with his co-star Marlene Dietrich, who was married at the time. Dietrich allegedly became pregnant, but it was quickly terminated. Stewart ended their relationship after the filming was completed.
Hace 6 días · Marlene Dietrich (1901-92) gained international fame starring in paramount films such as Morocco (1930) and The Devil is a Woman (1935). The director Josef von Sternberg was instrumental in shaping the actress’s femme fatale image in those, and several other visually arresting movies.
26 de may. de 2024 · Where Have All the Flowers Gone is a powerful and poignant song that holds deep meaning and significance. It was written by Pete Seeger in 1955 and later popularized by Marlene Dietrich. The song is a reflection on the futility and tragedy of war, and it serves as a reminder of the devastating consequences that arise from conflicts.
19 de may. de 2024 · “Sag Mir Wo Die Blumen Sind” is a German interpretation of the song “Where Have All The Flowers Gone” originally written by Pete Seeger. Marlene Dietrich, a legendary German actress and singer, recorded her version of the song and brought it to a wider audience.
