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Imamura, 1926’da orta-üst sınıf bir doktor ailesinden Tokyo’da dünyaya geldi. 1945’ten sonra Japonya savaş felaketini yaşarken bir süre karaborsa sigara ve içki satışı yaptı. Imamura’nın film yapım sürecinde içinde yaşadığı bu dönem Japon toplumunun bu alt sınıfının bir yansıması olarak sıklıkla görülür.
With utterly gorgeous cinemascope imagery from the first frame to the very last, it's easy to see why this post war Japanese beauty from Shōhei Imamura has a spot in Wes Anderson's top 10 films. Set largely in the grimy back streets of Yukosuka, Pigs and Battleships portrays a symbiotic relationship between the US forces and the Japanese locals, offering a balanced view that leaves nobody ...
27 de ene. de 2013 · If anything, THE EEL immediately grabs your attention and Shōhei Imamura's calling cards are all over the film's opening scenes: mysterious letters, illicit sex, a brutal knife murder, and an unlikely friendship with an animal. In fact, the first 15 minutes masterfully set up a film that oddly never materializes.
Pour plus de détails, voir Fiche technique et Distribution . modifier La Femme insecte (にっぽん昆虫記 , Nippon konchūki ?) est un film japonais réalisé par Shōhei Imamura , sorti en 1963 . Synopsis [modifier | modifier le code] Le parcours de Tome, une femme, sur une quarantaine d’années. Originaire d’une province rurale du Nord du Japon – Tohoku , elle se rend à Tokyo ...
My first foray to Shōhei Imamura’s idiosyncratic cinema is the first of his two Palme d’Or-winning films, and his most widely seen film The Ballad of Narayama. Slightly remaking the 1958 Keisuke Kinoshita film (which I haven’t seen), the film explores the ancient Japanese tradition of “obasute,” in which elderly people are carried around by their children to a mountain and abandoned ...
The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the ...
