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The Funeral (often The Funeral (Dedicated to Oskar Panizza)) is a painting by the German Expressionist artist George Grosz, completed between 1917 and 1918. The work combines elements of Futurism and Cubism [1] to show a funeral procession in a modern urban city, as an infernal abyss populated by twisted and grotesque attendants. [2]
4 de abr. de 2020 · Georg Grosz, The Funeral (Dedicated to Oskar Panizza), 1917-19. At the time Grosz painted this the Great War in Europe had just ended, where roughly 20 million people had died. Another 50 million people worldwide died of the Spanish Flu in 1918.
The Funeral (often The Funeral (Dedicated to Oskar Panizza)) is a painting by the German Expressionist artist George Grosz, completed between 1917 and 1918. The work combines elements of Futurism and Cubism to show a funeral procession in a modern urban city, as an infernal abyss populated by twisted and grotesque attendants.
Ellos también vivieron el crepúsculo de una época y supieron darle expresión.”. George Grosz. El Funeral (dedicado al poeta Oskar Panizza, 1917-18) (Grosz Widmung an Oskar Panizza). George Grosz “… en estos momentos estoy trabajando en una gran pintura del infierno. Una ‘calle de copas’, de...
21 de may. de 2024 · Dublin Core. Title. The Funeral, Dedicated to Oskar Panizza. Creator. George Grosz. Date. 1917-18. Contributor. Staatsgalerie Stuttgart, Germany. Rights. http://rightsstatements.org/vocab/InC/1.0/ Format. Oil on Canvas, 98.6 x 64.3cm. Files. Citation.
The Funeral is a painting by the German Expressionist artist George Grosz, completed between 1917 and 1918. The work combines elements of Futurism and Cubism to show a funeral procession in a modern urban city, as an infernal abyss populated by twisted and grotesque attendants.
In The Funeral (Dedicated to Oskar Panizza (1853-1921)), 1917/18, and The Adventurer, 1917, ideals, illusions, and delusions appear as acts of self-liberation. In The Funeral, death takes on the role of the redeemer - Wilhelmine society is doomed.
