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Seagram Building. Il Seagram Building è un grattacielo di New York, situato al 375 di Park Avenue, tra la 52ª e la 53ª Strada, nella Midtown Manhattan. Fu progettato dall’architetto tedesco Ludwig Mies van der Rohe in collaborazione con l’americano Philip Johnson e completato nel 1958. È alto 156,9 metri e ha 38 piani.
Ludwig Mies van der Rohe with Philip Johnson, Kahn & Jacobs. Seagram Building, New York City, New York, Site and floor plans. c. 1954-58. Philip Johnson, Kahn & Jacobs.
The Seagram building – an iconic bronze and glass tower in New York City, was an amalgamation of both Mies and Johnson’s modernist principles and philosophies. Built in 1956, Philip Johnson was commissioned to do the interiors of the building, in close association with his longtime friend
Caracterizado por uso de vidrio y metal, en lugar de fachadas ornamentales de piedra y ladrillo de las décadas anteriores, el edificio Seagram marcó una nueva era de rascacielos funcionales, adoptando una estética corporativa minimalista. El edificio tiene 157 m (515 pies) de altura, con 38 pisos y se completó en 1958.
In “Light: Philip Johnson’s Stimmung,” Lambert unintentionally demonstrates how little Mies concerned himself with the relation of inside and outside, particularly for Seagram. Here we encounter critical information and insight into Philip Johnson’s role in designing and overseeing the outitting of the building’s interior.
The Seagram Building in Manhattan (1954-58), by Ludwig Mies van der Rohe and Philip Johnson, is one of those rare pieces of architecture which has come to define an era. For Mies van der Rohe the achievement of the Seagram Building was the resolution of years of theoretical and exacting architectural investigation.
Introduction. Le Seagram Building est un immeuble de bureaux moderne conçu par le célèbre architecte allemand Mies van der Rohe, en collaboration avec Philip Johnson.. Ce gratte-ciel de bureaux construit à New York en 1958, est à bien des égards le point culminant du processus de débogage d’expression, sans aucune concession à l’ornement, de grands bâtiments que Mies van der Rohe ...
