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  1. Prisoners' Round (after Gustave Doré), also known as The Prisoners' Round, or Prisoners Exercising, or Penitentiary (after Doré), (F669) is a February 1890 oil painting by Vincent van Gogh. The late work was painted at in Saint-Rémy, inspired by an 1872 engraving by Gustave Doré of the exercise yard (le bagne) at Newgate Prison.

  2. www.worldofdante.org › gallery_doreThe World of Dante

    Gustave Doré's (1832-1883) illustrations and Dante's Divine Comedy have become so intimately connected that even today, nearly 150 years after their initial publication, the artist's rendering of the poet's text still determines our vision of the Commedia. Planned by Doré as early as 1855, the Dante illustrations were the first in a series he ...

  3. 11 de may. de 2014 · Gustave Doré (1832–1883): Master of Imagination. Gustave Doré is without doubt one of the most prodigious artists of the 19th century. At barely fifteen years of age he began a career as a caricaturist and then professional illustrator – which brought him international fame – before embracing all areas of creativity: drawing, painting ...

  4. Whether it was the work that he exhibited in London (1867–68) at the Doré Gallery or his huge paintings, such as Christ Leaving the Praetorium, (1874–80, Musée des Beaux-Arts, Nantes) Doré’s reputation as a “preacher painter” (which is carefully assessed in a catalogue essay by Philippe Kaenel) is noted (fig. 3).

  5. 413.5 cm × 627 cm (162.8 in × 247 in) Location. Petit Palais, Paris. The Valley of Tears (French: La Vallée de Larmes) is an oil-on-canvas painting by French artist Gustave Doré, from 1883. It is very large (413.5cm x 627cm). It was bought by the city of Paris in 1984 and is currently in the collection of the Petit Palais.

  6. 古斯塔夫·多雷(法语:Gustave Doré,1832年1月6日-1883年1月23日),19世纪法国著名版画家、雕刻家和插图作家。. 1832年生于史特拉斯堡,自幼喜爱绘画,此后潜心练习。. 他以幽默画成名。. 1853年为拉伯雷的小说畫插图大获成功。. 此後被出版商邀请为多部世界 ...

  7. 12 de may. de 2020 · Gustave Doré (1832–1883), Forthwith Upright He Rears from off the Pool His Mighty Stature (Book 1, 221-222) (1866), engraving for ‘Paradise Lost’, John Milton, Cassell, Petter and Galpin, further details not known. Wikimedia Commons. So stretched out huge in length the Arch-Fiend lay, Chained on the burning lake, nor even thence