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Dame Jocelyn Barbara Hepworth (10 January 1903 – 20 May 1975) was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
10 de ene. de 2017 · Tout simplement parce que Barbara Hepworth était une figure majeure de la sculpture britannique, phare de la modernité en sculpture, mais aussi chantre de l’abstraction aussi pure que poétique. Retour sur le travail d’une immense créatrice, disparue en 1975. Née dans une famille de classe moyenne du Yorkshire, Barbara Hepworth ...
Bárbara Hepworth creó un gran conjunto de escultura de extraordinaria belleza que alcanza a más de 600 piezas. Cada obra de esta artista inglesa es una búsqueda hacia la esencia misma de la naturaleza y la belleza del espacio. Hepworth fue nombrada dama del imperio británico en 1965 y recibió numerosas distinciones honoríficas y títulos ...
Dame Jocelyn Barbara Hepworth DBE (10 January 1903 – 20 May 1975) was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the First and Second World Wars.
Corinthos Barbara Hepworth • 1954-1955 Figure for Landscape Barbara Hepworth • 1959-1960 Sphere with Inner Form (BH 333) Barbara Hepworth • 1963
28 de sept. de 2023 · The Barbara Hepworth Museum and Sculpture Garden in St Ives, Cornwall, preserves Trewyn studio (above), which was purchased by Hepworth in 1949. She lived there for 26 years. The house, garden and studio remain as Hepworth left them, complete with her furniture, downed tools and unfinished works.
9 de ene. de 2020 · Barbara Hepworth. Doves (Group), 1927. "Barbara Hepworth: Sculpture for a Modern World" at Tate Britain, London. The newlyweds moved back to London in 1926, working then in the modern “direct carving” mode. This manner of sculpting required artists to engage directly with their materials, using a hammer and chisel.
