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Kamran Talattof Nezami Ganjavi and Classical Persian Literature Demystifying the Mystic Kamran Talattof School of Middle Eastern & North Africa Studies and Founding Chair of the Roshan Graduate Interdisciplinary Program in Persian and Iranian Studies University of Arizona Tucson, AZ, USA ISSN 2945-705X ISSN 2945-7068 (electronic) Literatures and Cultures of the Islamic World ISBN 978-3-030 ...
The poet Nizami Ganjavi (1140–1202) is one of the giants of the Persian literary tradition. As a narrative poet, he stands between Abolqasem Firdawsi (ca. 940–ca. 1020), the poet of Iran’s heroic tradition and the author of the Shahnamah ( Book of Kings ), and Jalaluddin Rumi (1207–1273), whose Divan-i kabir ( Great Divan) and Kitab-i ...
In all these cases, Nezami reworked the material from his sources in a substantial way. The Khamsa was a popular subject for lavish manuscripts illustrated with painted miniatures at the Persian and Mughal courts in later centuries. Examples include the Khamsa of Nizami (British Library, Or. 12208), created for the Mughal Emperor Akbar in the 1590s
28 de abr. de 2023 · Azar, A. E.; Najafi, M. (2015). An Investigation of Nezami's Works Translatedin the West (France, England, and Germany). European Online Journal of Natural and Social Sciences; Vol.4, No. 2 pp. 260-272. Huseynov, B. (2018). The influence of Nizami Ganjavi’s heritage on the shaping of the coherent cultural tradition in Oriental literature.
15 de dic. de 2002 · HAFT PEYKAR, a famous romantic epic by Nezami of Ganja (Neẓāmi Ganjavi) from the last decade of the 6th/12th century. The title can be translated literally as “seven portraits,” but also with the figurative meaning of “seven beauties.”. Both translations are meaningful and the poet doubtless exploited intentionally the ambiguity of ...
The poem “Haft Peykar” of Nizami has been studied in the light of several problems of poetics. Genre syncreticity of the work and space-time relations has been viewed and genesis of plots in the “Haft Peykar” has been traced in their later transformation in the XIV-XVIII centuries. In the analysis of followers of Nizami, reflection of ...
