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Mario Bava ( 31. juli 1914 i San Remo, Italien – 27. april 1980 i Rom) var en italiensk filminstruktør og oprindeligt filmfotograf, der arbejdede i mange genrer, men især huskes for horrorfilmen La maschera del demonio (1960) med Barbara Steele i en dobbeltrolle som vampyr og offer, og tegneseriefilmatiseringen Diabolik (1968) med John ...
10 de mar. de 2024 · Mario Bava was an influential Italian horror filmmaker active between the 1940s and late '70s. He was a polymath, working as a special effects artist, writer, and cinematographer in addition to ...
Danger: Diabolik: Directed by Mario Bava. With John Phillip Law, Marisa Mell, Michel Piccoli, Adolfo Celi. A master thief and his sensual lover pull off heist after heist, all while an envious coalition of cops and gangsters is gunning for them.
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12 de ene. de 2022 · A BAY OF BLOOD (1971) A family’s murderous battle over some bayfront property is the subject of Bava’s bloody horror-thriller, which many have cited as the grandfather of the modern slasher film. There are throat hackings, face choppings and spears through copulating bodies – murder scenes that were all imitated in Steve Miner’s Friday ...
2 de jul. de 2023 · However, by the 1960s, Italy became a central hub for horror, mainly down to the work of Mario Bava. Born in 1914 to Eugenio Bava, a cinematographer during the silent era, he soon became interested in his father’s profession. By 1939, Bava established himself as a cinematographer and worked on several films over the next decade.
Director Mario Bava. American International Pictures had achieved a great deal of commercial success in the early 1960s with Bava's Black Sunday (1960) and Black Sabbath (1963), as well as dozens of lesser Italian films, including several sword and sandal pictures.
As an uncredited visual effects artist on Argento's Inferno (1980), Bava aided in creating one of cinema's closest equivalents to a nightmare captured on film. Long after his death in 1980 resulting from a heart attack, Bava's legacy would live on through both his son and a "lost" film that never saw the light of day in his own lifetime.
