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  1. It was Henry Clay Frick's (1849–1919) intention that his art collection and home at 1 East 70th Street be opened as a museum following his wife's death. After Adelaide Howard Childs Frick (1859–1931) died in October 193 1, the mansion, built in 1913–14 by Thomas Hastings (1860–1929), of Carrère and Hastings, underwent further construction to transform it into a space suitable for a ...

  2. We will look at Henry Clay Frick's life and legacy, from his humble beginnings as a clerk in a neighborhood store to his elevation as a partner in the Carneg...

    • 10 min
    • 1332
    • Business Titans
  3. La Colección Frick (The Frick Collection) es uno de los museos de arte más importantes de Nueva York.. Igual de especial que lo que alberga en su interior es la propia ubicación del museo: la mansión del magnate del acero Henry Clay Frick, una enorme casa de 16 habitaciones increíblemente decoradas.

  4. 7 de abr. de 2009 · Henry Clay Frick (1849–1919), a pioneer in the Pittsburgh coke and steel industries and an enormously successful financier, amassed one of the most magnificent collections of Old Master paintings of America's Gilded Age. The Frick Collection, housed in Frick's mansion in New York City, was bequeathed to the public in 1919 and opened in 1935 ...

  5. De Frick Collection is de kunstverzameling van de Amerikaanse cokesfabrikant en mecenas Henry Clay Frick (1849-1919). Zij is ondergebracht in zijn vroegere woonhuis, nu museum, gelegen aan de Fifth Avenue nabij het Central Park (Manhattan) in New York. Sinds maart 2021 is de collectie tijdelijk ondergebracht in het Frick Madison gebouw, enkele ...

  6. Eagle Rock. 453 Hale Street, Pride's Crossing, Beverly, Essex County, Massachusetts. Completed in 1906, for Henry Clay Frick (1849-1919) and his wife, Adelaide Howard Childs (1859-1931). Their 104-room summer home was more than four times the size of their permanent home of the previous twenty years and longer than the White House.

  7. Today, The Frick Collection continues to evoke the splendor of America’s Gilded Age, and its assembly of masterpieces testifies to Henry Clay Frick’s extraordinary vision as an art collector. Many of the Dutch and Flemish paintings are on view in the museum’s West Gallery, where some of them have been for more than a century (fig. 7).