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  1. Hace 4 días · En su nuevo ensayo, Slavoj Žižek, considerado por algunos como ‘el filósofo rockstar’ del siglo XXI, analiza los principales retos del presente, desde la guerra en Ucrania hasta el ascenso de los populismos, pero también lanza una pregunta que convendría que todos nos hiciéramos más a menudo: ¿Y si el fin del mundo ya no ...

  2. Hace 2 días · The purpose of this essay is to analyze the theodicy of violence in its two different forms: the antinomian and the hypernomian. The theodicy of violence deliberately blurs the lines between the messianic idiom of Walter Benjamin’s Toward the Critique of Violence (2021), with its stark contrast between mythic and divine violence, and the ...

  3. Hace 4 días · Slavoj, Subscribe After Donald Trump was found guilty on all 34 felony charges by a Manhattan jury, he announced that he will remain a presidential candidate and that, if he wins, he is ready to act as a President from prison.

  4. Hace 1 día · Slavoj Žižek has located a radical utopian kernel within such dramatic moments of awakening, which is diametrically opposed to the wishful dreams and optimistic plans with which utopia is typically associated: “A truly radical utopia is not an exercise in free imagination […]

  5. Hace 1 día · Philosopher and cultural critic Slavoj Žižek argues that the digital space allows individuals to construct online fantasy personas, thus blurring the distinction between real and virtual reality. The new identity is a construct of personal desires inspired by audiovisual media and projected onto oneself, which would, with the development of artificial intelligence (AI), interconnect with a ...

  6. Hace 1 día · Known as the "Elvis of cultural theory," Slavoj Žižek is a Slovenian philosopher and cultural critic. A master at riffing on Lacanian psychoanalysis, Hegelian philosophy, Marxist theory, and pop ...

  7. Hace 2 días · Slavoj Žižek makes a similar point in his fantastic analysis of John Carpenter’s (1988) “ They Live, ” when he describes the scene where John Nada (Roddy Piper) tries to force Frank Armitage (Keith David) to put on the “ideology glasses” and the two men end up getting into a fist fight.

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