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Henderson had little success in his subsequent attempts to organize bands and spent most of the 1940s arranging for Goodman, Count Basie, and others. He formed a sextet in 1950 that became the house band at New York’s Cafe Society, but he suffered a stroke soon thereafter and was forced to retire.
4 de abr. de 2023 · In the 1940s, Henderson would continue to contribute arrangements to Benny Goodman, Count Basie, and other big band leaders of the period. Clearly, these bandleaders not only benefited from the productivity of Henderson, but also the result of driving the popularity of swing for dance hall venues, radio shows and recordings.
His orchestra epitomized Kansas City Swing and along with the bands of Fletcher Henderson, Jimmy Lunceford, Duke Ellington and Benny Goodman, Basie’s orchestra would define the big band era. While the media of the period crowned Benny Goodman the “King of Swing”, the real King of Swing was undoubtedly Count Basie.
The following year, in 1929, Basie became the pianist with the Bennie Moten band based in Kansas City, inspired by Moten's ambition to raise his band to match the level of those led by Duke Ellington or Fletcher Henderson.
14 de oct. de 2023 · Fletcher Henderson was a major force in establishing big band music, ... the most important black bands to emerge were those of William “Count” Basie and Duke Ellington’s marvelous orchestras.
pianist Duke Ellington. pianist Count Basie. clarinetist Benny Goodman (known as the "King of Swing") G. Listening Examples. Listen to recordings of Swing Era jazz: Count Basie’s "One O’clock Jump," Duke Ellington’s "East St. Louis Toodle-o," and Fletcher Henderson’s "Wrappin’ it Up" on The Instrumental History of Jazz.
Edward Kennedy “Duke” Ellington, William James “Count” Basie, Don Redman, and Fletcher Henderson led some of the more popular early big bands. These groups nurtured young stars and future bandleaders such as Coleman Hawkins, Benny Goodman, Roy Eldridge, Benny Carter, and John Kirby.
