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29 de abr. de 2024 · Mary Cassatt, Woman in a Loge, 1878–79. Photo : Collection of the Philadelphia Museum of Art. By 1874—the year of the first Impressionist exhibition—Cassatt was back in Paris, accompanied by ...
7 de may. de 2024 · Mary Cassatt at Work is the first major showing of the artist’s oeuvre since 1998–99. By considering her professionalism, her biography, and the wider Parisian world she inhabited, a richer and more complex picture of Cassatt develops, inviting contemporary conversations about gender, work, and artistic agency.
Hace 4 días · The impact of Cassatt’s painting was remarked upon nearly 100 years later by 20th century feminist Germaine Greer when she said, “As an icon of the awfulness of being at once controlled by adults and ignored by them, this bold work could hardly be bettered.”. Audiences who attend the PMoA’s ‘Mary Cassatt at Work’ exhibition can ...
12 de may. de 2024 · The mandoline player, Cassatt (ca. 1872). La primera obra reconocida por Cassatt, y expuesta en París, fue La tocadora de la mandolina (1872, colección privada). París fue y es su hilo conductor en la historia del Arte, ya que actualmente su nombre y su obra tienen un espacio propio en el Musée D’Orsay , vitrina icónica de las artes plásticas de fin de siglo.
7 de may. de 2024 · “Mary Cassatt at Work” is the first major showing of the artist’s oeuvre in the US since 1998–99. Why have there been no exhibitions for such a long time? Jennifer Thompson: Despite the lack of major US exhibitions over the past decade, Mary Cassatt remains a significant figure in the art world; she has not been forgotten in any way.
Hace 4 días · Mary Cassatt (1844-1926) was an American impressionist painter who lived most of her life in France. She focussed on capturing women at their daily tasks in oils, pastels, and prints, and produced many innovative representations of mothers and children. Cassatt was hugely influential in encouraging the exhibition and collection of impressionist ...
Hace 5 días · Mary Cassatt at Work. by Jennifer A. Thompson and Laurel Garber. Contributions by Dave Beech, Kathleen A. Foster, Nicole Georgopulos, Erica E Hirschler, Teresa Lignelli and Thomas Primeau. 304 Pages, 8.50 x 11.30 in, 240 color illus.
