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Directed by John Huston • 1950 • United States. Starring Sterling Hayden, Louis Calhern, Jean Hagen. In a smog-choked city somewhere in the American Midwest, an aging criminal mastermind, newly released from prison, hatches a plan for a million-dollar jewel heist and draws a wealthy lawyer and a cherry-picked trio of outlaws into his ...
Sydney Guilaroff. Makeup created by. Jack Dawn. In a smog-choked city somewhere in the American Midwest, an aging criminal mastermind, newly released from prison, hatches a plan for a million-dollar jewel heist and draws a wealthy lawyer and a cherry-picked trio of outlaws into his carefully devised but inevitably doomed scheme.
12 de may. de 2009 · Asphalt Jungle, The (1950) -- (Movie Clip) You Gotta Learn To Carry Matches Stick-up man Dix (Sterling Hayden), laying low after beating a legitimate arrest, greets anxious Doll (Jean Hagen), whom he doesn’t know well, except that the clip-joint where she worked got raided, early in John Huston’s The Asphalt Jungle, 1950, from the W.R. Burnett novel.
Directed by John Huston • 1950 • United States. Starring Sterling Hayden, Louis Calhern, Jean Hagen. In a smog-choked city somewhere in the American Midwest, an aging criminal mastermind, newly released from prison, hatches a plan for a million-dollar jewel heist and draws a wealthy lawyer and a cherry-picked trio of outlaws into his ...
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Asphalt Jungle, The, American film noir caper, released in 1950, that was adapted from W.R. Burnett’s novel about an ambitious jewel robbery orchestrated by a gang of eccentric criminals. Immediately after being released from prison, “Doc” Riedenschneider (played by Sam Jaffe ) teams with corrupt lawyer “Lon” Emmerich ( Louis Calhern ) to rob a jewelry store.
Out of MGM, The Asphalt Jungle is directed by John Huston and based on the novel of the same name by W.R. Burnett. It stars Sterling Hayden, Jean Hagen, Sam Jaffe, Louis Calhern, James Whitmore, Teresa Celli, and in a minor but important role, Marilyn Monroe. Miklós Rózsa scores the music and Harold Rosson photographs it in black & white.
